Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his...
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Charlie's ex-wife disappears, and he travels to where she grew up--a rural town in the Midwest--to look for her. But, surprisingly, nobody knows about her or any of her many relatives, the ... See full summary »
Michael Marler, a successful business man in London, is about to make his way to the top. The death of his father brings him - after 37 years - back to his hometown Liverpool, where he is ... See full summary »
Lilita De Barros
Mike is a great tuna fisherman though he lost a hand to a shark years earlier saving Pipes Boley. Now Mike is happily married to Quita and doesn't notice that Pipes and Quita are falling ... See full summary »
Edward G. Robinson,
In 17th. century England, Jassy is believed a witch because she has sometimes visions of approaching disasters. When Barney Hatton, an impoverished gentry whose gambling father has lost the... See full summary »
Paul Gregory is sprung from jail in London by his accomplice after getting a stretch as expected for robbing a woman who falls for his charms. Only he knows how to get to the money, but his partner is getting greedy and as things turn sour Gregory finds that home in Canada is a long way away. Written by
Jeremy Perkins <firstname.lastname@example.org>
When Paul Gregory looks down on the farmhouse from the hillside shelter, the sun shines directly on his face. However, the shadows at the front of the house indicate that the sun's position is different. See more »
If this film had been made in 1950s France by directors named Clouzot or Melville, this Ealing production would be a regular on the revival circuit and in film school classrooms. Sadly, it's a completely unheralded film. Directed expertly by Seth Holt, who co-wrote the film with critic Kenneth Tynan, the film features an on-his-way-to-Europe George Nader as an American con man in London, looking to score by stealing a valuable coin collection (the owner is played by American expatriate and silent film star Bessie Love). His companion in crime is the docile but dangerous Bernard Lee, and there are double crosses and dirty dealings aplenty. The star of the film is Paul Beeson's amazing cinematography, always artistic but never too showy. Beeson also did sterling work for Ealing's The Shiralee (1957), and it's hard to understand how his career ended up on Harry Alan Towers scrap-heap. Dizzy Reece's outstanding jazz score (his only film work) fits the story like a glove and Maggie Smith makes her film debut as Nader's love interest. This is a great film and a true work of art.
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