| Photos (See all 21 | slideshow) | Videos (see all 2) |
Directed by | |||
| Roy Ward Baker | (as Roy Baker) | ||
Writing credits | ||
| Walter Lord | (from the book by) | |
| Eric Ambler | (screenplay) | |
Produced by | |||
| William MacQuitty | .... | producer | |
| Earl St. John | .... | executive producer | |
Original Music by | |||
| William Alwyn | |||
Cinematography by | |||
| Geoffrey Unsworth | (director of photography) | ||
Film Editing by | |||
| Sidney Hayers | |||
Casting by | |||
| Weston Drury Jr. | (uncredited) | ||
Art Direction by | |||
| Alex Vetchinsky | |||
Costume Design by | |||
| Yvonne Caffin | |||
Makeup Department | |||
| W.T. Partleton | .... | makeup artist | |
| Pauline Trent | .... | hairdresser | |
| Biddy Chrystal | .... | hair stylist (uncredited) | |
Production Management | |||
| Jack Hanbury | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Robert Asher | .... | assistant director | |
| Maurice Gibson | .... | second assistant director (uncredited) | |
| Ron Jackson | .... | third assistant director (uncredited) | |
| David Tringham | .... | second assistant director (uncredited) | |
Art Department | |||
| Len Townsend | .... | set dresser | |
| Bert Gaiters | .... | property master (uncredited) | |
Sound Department | |||
| Geoffrey Daniels | .... | sound recordist | |
| Gordon K. McCallum | .... | sound recordist | |
| Harry Miller | .... | sound editor | |
| Harry Fairbairn | .... | sound assistant (uncredited) | |
Special Effects by | |||
| Bill Warrington | .... | special effects | |
Stunts | |||
| Jack Cooper | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Jack Silk | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| David Harcourt | .... | camera operator | |
| John Alcott | .... | focus puller (uncredited) | |
| Mike Fox | .... | clapper loader (uncredited) | |
| Norman Gryspeerdt | .... | still photographer (uncredited) | |
| Reg Johnson | .... | camera operator: second unit (uncredited) | |
| Skeets Kelly | .... | director of photography: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Dorothy Edwards | .... | wardrobe supervisor: women (uncredited) | |
| Bert Simmonds | .... | wardrobe supervisor: men (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | music composer | |
Other crew | |||
| Arthur Alcott | .... | production controller: Pinewood Studios | |
| Penny Daniels | .... | continuity | |
Thanks | |||
| Joseph Boxhall | .... | the producers gratefully acknowledge the assistance of (as Commander Boxhall who was 4th Officer of the Titanic) | |
| Harry Grattidge | .... | the producers gratefully acknowledge the assistance of (as Captain Grattidge O.B.E. Ex-Commodore of The Cunard Line) | |
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| Titanic | Titanic | Poseidon | Britannic | Titanic |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb UK section |
Well what can I say? What can you say? I know what my 16 year old cohorts would say; "it's rubbish, there's no sex and drugs etc". Well to them I say grow up, there's more to film than that. A red-headed friend at school is talking with Channel 4 about doing a documentary on ginger people, and while everyone else says "oh god not another awful waste of disk space", I say good luck. Back to the film, It is brilliant. It puts a lot more emphasis on the crews actions to save that wonderful ship than Camerons and the actor who played Molly "unsinkable" Brown was credible, believable and so what if the designer, Thomas Andrews, had somehow lost his Irish accent. It was awful for me having to watch as he lent so casually by the fireplace, and adjusted the clock to time, only for it to be frozen in that position for all time. And when E J Smith calls for everyman for himself, and the sense of the ship plunging into the abyss beneath everyone, the atmosphere is tense, and you really start siding with characters, I personally sided with Lightoller, who was portrayed as the brave, professional seaman that he was. Cameron's Lightoller; "GET BACK OR I'LL SHOOT YOU ALL LIKE DOGS", was awful and I personally resented that cowardice portray-el of the real hero of the Titanic story. The model is pretty good for its day, and although the smoke stacks are a bit too tall the ship is still identifiable as Titanic, so no need for computer graphics there. The sinking was very well executed and although films don't upset me much, when the old boy with the little kid on the ships fantail are huddled together, with the old man reassuring that he will see his mother in a couple of minutes, that sent a chill through a my body, and I feel really upset as I write this.
In short, its a very good film, and does not resort to stupid love stories, and really is quintessentially British!!!!!!