In the Pacific during World War 2, the officers live a comfortable life with good food, good drink and good quarters. To them, war is a game which they know they will win and the common soldiers are the pawns on the board. When the campaign slows down, the Commander sends a squad to the top of a mountain behind enemy lines to report on the Japanese troop movements. The squad is commanded by a tough cynical Sergeant who takes no prisoners and even takes the gold from the teeth of the enemy dead. Before the mission starts, the lieutenant, who has had a cushy job due to a life of wealth and privilege, criticizes the Commander over his attitude towards the common soldier and is re-assigned to lead the squad. The veteran Sergeant wants to complete this mission as ordered, and he will do everything he can do to see that it is successful. Written by
Tony Fontana <firstname.lastname@example.org>
The bigness and the boldness of the Naked and the Dead.
Did You Know?
The film was not actually shot in widescreen. It was converted to CinemaScope in the final print after having been shot in standard Academy ratio, much like some films which are "matted" after having been shot in Academy ratio. The process used was contemporary of Superscope and a forerunner of Super 35. It was filmed using spherical lenses at an aspect ratio of 1.37:1. In the printing process, the images were cropped to a height of 2 perforations giving them an aspect ratio of 2.36:1. The images were then stretched vertically to a height of 4 perforations, at which point they conformed to the standard CinemaScope-2 format. See more
In the film, General Cummings is shown to be a Brigadier (one star) General. In the Norman Mailer novel on which the film is based, General Cummings is a Major General (two stars), the normal rank an Army division commander holds. See more
Referenced in The New York Ripper
Some Sunday Morning
Music by Ray Heindorf
and M.K. Jerome
Played during Lt. Hearn's dream sequence See more