In this third Gill-Man feature, the Creature is captured and turned into an air-breather by a rich mad scientist. This makes the Creature very unhappy, and he escapes, killing people and ... See full summary »
A teenage couple making out in the woods accidentally runs over an alien creature with their car. The creature's hand falls off, but it comes alive, and, with an eye growing out of it, ... See full summary »
Edward L. Cahn
When his life is saved in a shootout by a fellow gunman whose life he in turn had saved, Alex Longmire promises to give up his way of life. Riding into town he finds the only job available ... See full summary »
A college professor acquires a newly discovered specimen of a prehistoric fish. While examining the find he is accidentally exposed to it's blood, turning him into a murderous Neanderthal. Written by
Jeremy Lunt <firstname.lastname@example.org>
Arthur Franz only played Prof. Donald Blake. Once the makeup transformation scenes were over, stuntman Eddie Parker did every scene as the Monster. See more »
Just before sergeant Daniels encounters the monster, he is talking on a police phone box. He tells the person that he is at call box B-26. However, in very large letters, the box is identified as E-26. See more »
Blood of an ancient fish transforms those infected with it into a vicious dog, giant dragonfly or monstrous Neanderthal entity. Arthur Franz is convincing as an archaeological college professor, teaching Troy Donahue and Nancy Walters, while romancing the lovely Joanna Moore. Jack Arnold ably directed this somewhat maligned film; it's actually creepy and well-shot, succeeding in delivering the shocks, especially in the last act, where we finally see the title creation and it's a startling effect. Helen Westcott is memorable in only two scenes, as the school nurse, conveying some romantic attraction to Franz, all with a dose of humor. It was recently released to DVD as part of the "Classic Sci-Fi Ultimate Collection", which includes "Tarantula" (1955), "The Mole People" (1956), "The Monothith Monsters" (1957), and "The Incredible Shrinking Man" (1957), all on par: great title sequence, fine musical score (some patchwork), beautiful monochrome photography, well-scripted, capably acted, always intriguing, with "Man" the jewel of the crown.
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