A tough kid comes to a new high school and begins muscling his way into the drug scene. As he moves his way up the ladder, a schoolteacher tries to reform him, his aunt tries to seduce him,... See full summary »
John Drew Barrymore
Jeff Carr, a special investigator, arrives in Tomahawk. His assignment is to discover who has been holding up the local stagecoach and is guilty for a series of killings that terrorize the ... See full summary »
When his life is saved in a shootout by a fellow gunman whose life he in turn had saved, Alex Longmire promises to give up his way of life. Riding into town he finds the only job available ... See full summary »
An ex-con is given the chance to redeem himself, and revenge the murder of an old army buddy, by going undercover in Germany and helping the authorities break up a ring of international ... See full summary »
A college professor acquires a newly discovered specimen of a prehistoric fish. While examining the find he is accidentally exposed to it's blood, turning him into a murderous Neanderthal. Written by
Jeremy Lunt <email@example.com>
Prof. Donald Blake (Arthur Franz) has a collection of facial reconstructions depicting the ascent of man from the early hominids to modern man (or woman in this case, actress Joanna Moore). One of them is that of The Piltdown Man, whose "discovery" in 1912 was exposed as a hoax in 1953, five years before this movie was released. See more »
When we see the "anthropoid's" face for the first time, the bottom of the mask is clearly visible. See more »
Jack Arnold's last sci-fi horror for Universal isn't as good or as much fun as most of his previous efforts (including the oft-overlooked "Tarantula") but it has its own virtues to recommend it. The story is a clone of "I Was a Teenage Werewolf" -- except that in this case, we have a college professor who keeps accidentally coming into contact with chemical agents which transform him into an aboriginal "throwback."
Not much killing, or action at all for that matter, and in retrospect the film's manner in general is too straight and serious for its flimsy materials. Not much sympathy or interest is generated before the film runs its course, but an audience may get a few laughs from some of the stilted dialogue and from the oversized "throwback" creatures that appear from time to time to terrorize unsuspecting coeds and jocks.
The female lead was written to have a very unappealing personality -- for one thing, when the scientist she supposedly loves is getting really interested in his work, she goes over his head to his boss (who "happens" to be her father) to have him investigated for insanity! Maybe he just wasn't paying enough attention to her.... anyway, I don't think many in the audience would have minded if she HAD gotten hers from the monster in the end....
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