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The Black Pit of Dr. M (1959)
"Misterios de ultratumba" (original title)

 -  Fantasy | Horror | Mystery  -  1959 (USA)
7.0
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Ratings: 7.0/10 from 287 users  
Reviews: 18 user | 24 critic

Two doctors make a pact in which they swear that the first to die will return - if possible - to tell the other how to get a glimpse of the afterlife while still alive.

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Cast

Credited cast:
Gastón Santos ...
Dr. Eduardo Jiménez
Rafael Bertrand ...
Dr. Mazali
Mapita Cortés ...
Patricia Aldama
Carlos Ancira ...
Elmer, the orderly
Carolina Barret ...
La Gitana
Luis Aragón ...
Dr. González
...
Rosario
Antonio Raxel ...
Dr. Jacinto Aldama
Rest of cast listed alphabetically:
J. Portillo
Abel Salazar
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Storyline

Two doctors make a pact in which they swear that the first to die will return - if possible - to tell the other how to get a glimpse of the afterlife while still alive.

Plot Summary | Add Synopsis

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SEE!...The nightmares that fill the world of the psycho! See more »


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Release Date:

1959 (USA)  »

Also Known As:

Mysteries from Beyond the Grave  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The English dubbed version of this film is believed lost. Please check your attic. See more »

Connections

Edited into Dusk to Dawn Drive-In Trash-o-Rama Show Vol. 9 (2002) See more »

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User Reviews

 
Traditional Gothic horror from Mexico.
2 July 2008 | by (Greece) – See all my reviews

I couldn't think of a place more far-removed from the dreary streets, Gothic cathedrals, stone gargoyles and misty back-alleys that have come to be associated the Gothic horror sub-genre, than Mexico. Yet here we have a pure Gothic story told in the most traditional of ways. Fernando Mendez throws everything and the kitchen sink in the mix, from disfigured monsters and a madhouse to spectral ghosts and atheistic scientists and I'm happy to report that it works far better than one would expect from a Mexican b-movie without it becoming picturesque or unintentionally comedic. The only fault that I find with Misterios de Ultratumba (other than failing to deliver promised black pits) is that it doesn't try to push the envelope. It's content to be a very traditional Gothic horror picture with a simplistic story. If it weren't for some impressive stylistic flourishes (like the gallows scene for instance) and the creepy atmosphere, one could be forgiven for totally dismissing it as a "seen-better" case. As it is, fans of 30's Universal horror and Hammer from around the same time will probably like it.


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