A gun-slinging drifter, armed with a legendary pistol, saves a town from the greedy clutches of an evil family. But what makes him so fast? Is it the man or the gun?

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Writers:

(original screenplay), (original screenplay)
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Cast

Cast overview, first billed only:
...
'Maybe' Smith / Scott Yancey
Audrey Totter ...
Fran Dare
...
Pinch Corley
...
Sheriff Jim Jackson
...
Mike Ferris
Harry Shannon ...
Justin Corley
Jil Jarmyn ...
Mrs. Pinch Corley
Robert Burton ...
Deputy Sheriff Burt Burton
...
Buckstorm Corley
Karl 'Killer' Davis ...
Swede (as Karl Davis)
Julian Burton ...
Billy Corley
Carl York ...
Jack Corley
Harry Klekas ...
Dodd
Mel Gaines ...
Diego
Ron McNeil ...
Nick
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Storyline

A gun-slinging drifter, armed with a legendary pistol, saves a town from the greedy clutches of an evil family. But what makes him so fast? Is it the man or the gun?

Plot Summary | Add Synopsis

Taglines:

SHOOT-OUT After SHOOT-OUT! No man could be that good...IT HAD TO BE THE GUN! See more »

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

30 May 1958 (USA)  »

Also Known As:

Jede Kugel trifft  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

2.35 : 1
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Did You Know?

Connections

Referenced in Shadows (1959) See more »

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User Reviews

Is the West or the Twilight Zone?
3 March 2002 | by (Fayetteville, GA) – See all my reviews

Despite my love for Westerns, this one was tough to enjoy. The pacing is extremely slow, the characters are not well crafted, and the dialogue is frequently ridiculous. Example: the rich old rancher who rules the town mutters `profound' dialog to himself such as, `All I know is . . . when your dead, your dead for a looooong time'.

Most of the music is produced by a sleepy harmonica, a mournful violin, and a tinkling harp -- except for the title theme, which is a plodding song with dreadful lyrics and no discernible melody, performed by an untalented baritone.

McDonald Carey does a competent acting job amidst some serious scenery chewing. Even Warren Stevens (Doc from `Forbidden Planet') is swimming upstream in this one. His dialogue is dreadfully melodramatic, and his fight scene with Carey is badly staged, clumsily edited, and unintentionally funny.

The most implausible part of the story is the characters' belief that Carey's gun is `magic'. The bad guy (Stevens) is obsessed with getting it because he thinks it'll make him a perfect shot. This misplaced supernatural element, plus the somber mood of the film, the black & white photography, and the strange, almost ghostly music during the climactic gunfight makes the film play like a `Twilight Zone' episode.


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