When her husband dies en route to America, Martha Price and her daughter Hilary are left to carry out his dream: the introduction of Hereford cattle into the American West. They enlist Sam ... See full summary »
Imprisoned for a murder he did not commit, John Brant escapes and ends up out west where, after giving the local lawmen the slip, he joins up with an outlaw gang. Brant finds out that '... See full summary »
Three years after the end of the Apache wars, peacemaking chief Cochise dies. His elder son Taza shares his ideas, but brother Naiche yearns for war...and for Taza's betrothed, Oona. Naiche... See full summary »
Two brothers, Ben and Clint, join a cattle drive from Texas to Montana. While heading for Texas they save Nella from the Indians, and she decides to ride with them. Ben and Nella start to ... See full summary »
Union officer Kerry Bradford escapes from Confederate Prison and is set to Virginia City in Nevada. Once there he finds that the former commander of his prison Vance Irby is planning to send $5 million in gold to save the Confederacy.
On his way to hire a schoolteacher, a homesteader is left a hundred miles from anywhere when the train he is on is robbed. With him are an attractive dancehall girl and an untrustworthy gambler and he decides to get shelter nearby from outlaw relatives he used to run with. They don't trust him and he loathes them but they decide he can help them with one last bank job. Written by
Jeremy Perkins <firstname.lastname@example.org>
When the "Man of the West" is waiting for his train and when he finally boards this train, near the beginning of the film, the cloud patterns in the sky change significantly in that short time. See more »
Mr. Jones is lookin' to stretch his legs although I don't think he want them any longer than they are.
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Tough gritty western that influenced the Spaghetti Western
There is a bit wrong with this film. Gary Cooper's age versus Lee Cobb's. The coincidental stranding of Julie London and Arthur O'Conell after the train robbery. The abrupt ending.
There is quite a bit not wrong also. The outdoor photography. The interior train scenes seem to have been entirely shot on a real train going down the tracks, not a set with rear projection. All the settings are real looking not Hollywood whitewash. Gary Cooper is low-key but builds his conflicted character well. The villains are among the nastiest one can see in pre-1960's westerns. They really lay the groundwork for the stock western psycho in later Spaghetti Westerns. Jack Lord plays a real maniac!
Mann's eye for visual composition really adds to the psychological atmosphere. You can see the influence on Leone and it seems like Leone imitated a couple of shots from this film. The set design for the town of Lasso could have been used in any Italian western.
A good, if depressing, alternate western.
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