Dan Beattie gives up his lawman job to move further west and rejoin his old war buddy Curt Warren in the town of Sundown. At first mistaken for a railroad agent by Beau Santee, a Sundown ...
See full summary »
Outlaw Matt Ringo escapes prison and wants to co-opt his former outlaw brother Billy into robbing a Wells Fargo money shipment but Billy has gone straight, the town Marshal is Wyatt Earp and the Clinton gang wants in on the deal.
Montgomery Cliff (in his last role) plays James Bower, an American physicist visiting West Germany who's recruited by a shady CIA agent, named Adam, to help them with the defection of a ... See full summary »
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
Two men are released from the Arizona Territorial Prison at Yuma in 1898. One, the Dutchman, is out to get both gold and revenge from the people of a small mining town who had him ... See full summary »
After violently attacking a fellow officer Lt. Edward Garnett, cavalry Captain Kern Shafter is court martialled. Later, he rejoins the army with Custer's regiment at Fort Lincoln, Dakota, becoming a sergeant, where he runs into his old foe.
A widow with a young daughter travels to a ranch in Wyoming to manage the household of a rancher. After a while the man and woman develop a relationship that leads to a marriage. But life in the harsh place takes its toll.
A dissatisfied ranch hand becomes a bounty hunter. He conspires with a crooked town boss to dirty up a neighboring village where a valuable railroad franchise is headed, in order to divert ... See full summary »
Dan Beattie gives up his lawman job to move further west and rejoin his old war buddy Curt Warren in the town of Sundown. At first mistaken for a railroad agent by Beau Santee, a Sundown businessman who wants to keep the railroad away from his town, Dan is nearly killed by Santee's henchman, Mark Faber. Dan discovers that his old pal Curt works for Santee. Even after learning Dan's true identity, Santee considers him trouble and plots to get rid of him. With the help of Curt's son Stony, Dan tries to get Curt to take a stand on the right side of the law. Written by
Jim Beaver <firstname.lastname@example.org>
Man from God's Country is directed by Paul Landres and written by George Waggner. It stars George Montgomery, Randy Stuart, Gregg Barton, Kim Charney, Frank Wilcox, Susan Cummings, James Griffith and House Peters Junior. A CinemaScope/De Luxe production, with music by Marlin Skiles and cinematography by Harry Neumann.
Dan Beattie (Montgomery) is a former Civil War soldier who is working as the sheriff of Yucca. After being acquitted of murdering a rabble rouser, he quits on principle and heads towards the town of Sundown where he hopes to hook up with his old war buddy Curt Warren (Peters Jr). Upon arrival, though, Dan finds a town run by a shifty business man Beau Santee (Wilcox) who mistakenly suspects Dan of being in league with the railroad company who want to run a line through the town. This opens up a can of worms and friendships and families become in danger of being ruined.
Little known Oater from the end of the 50s, Man from God's Country is a standard B picture that never quite fulfils the promise of its themes. There's interesting threads within, though nothing that hasn't been dealt with better elsewhere in 50s Westerns. The railroad is the devil who patrols the edges of the frame, this causes no end of suspicion and treachery as "honest" Dan proves to be the catalyst for Sundown's secrets and lies to come tumbling out of the dust in a blaze of guns, fists and tears.
It's handled efficiently by TV director Landres, with Waggner's screenplay mature and not without merit. Cast are mostly run of the mill, though Montgomery (looking and sounding like a poor man's Charlton Heston) proves more than capable at being the macho cornerstone of this particular production, where just like Heston he could throw a believable punch. Filmed out of Iverson Ranch in Chatsworth, California, there's some nice exteriors photographed by Neumann, costuming and colour are very pleasing and at 72 minutes in length the film never has time to labour.
It's more about "potential" psychological characterisations than action, which is fine, all be it annoying since the characters just don't get fleshed out at all. What action there is is done in short sharp shock manner, and in truth the ending, which is never in doubt, is all too brief and not doing justice to the good versus bad thread that director and writer were striving hard to build upon. 6/10
1 of 1 people found this review helpful.
Was this review helpful to you?