Love takes precedence over art and politics as Spanish painter Goya pines for an aloof duchess.

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Cast

Cast overview, first billed only:
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...
...
...
...
Queen Maria Luisa
Massimo Serato ...
Conte Rodrigo Sanchez
Carlo Rizzo ...
Juanito
Audrey McDonald ...
Anita (as Audrey Macdonald)
Ivana Kislinger ...
Pepa
Renzo Cesana ...
Carlo Giustini ...
José
Carmen Mora ...
Prima Ballerina
Patrick Crean ...
Enrique (as Pat Crean)
Peter Meersman ...
Dr. Peral
John Karlsen ...
Inquisitor
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Storyline

Love takes precedence over art and politics as Spanish painter Goya pines for an aloof duchess.

Plot Summary | Add Synopsis

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Now she is yours...the matchless...the shameless beauty who lives forever as The Naked Maja! See more »


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20 December 1958 (Italy)  »

Also Known As:

Die nackte Maja  »

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The Nude Maja was the first in a two painting series, the second of which was The Clothed Maja, respectively. It is said to be the first painting in which female pubic hair is visible, making it totally profane at the time. In 1813, the Spanish Inquisition confiscated both of the paintings as obscene, returning them to the Academy of Fine Arts in 1936, after Goya's death. See more »

Connections

Featured in Kolossal - i magnifici Macisti (1977) See more »

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User Reviews

 
Historic elements in film
9 November 2005 | by (United States) – See all my reviews

"The Naked Maja" is one of my favorite movies because of the historical content, and it stars two of my favorite actors, Anthony Franciosa as the idealistic artist Francisco Goya and Ava Gardner as the ill-fated Duchess of Alba.

The story begins before 1800 when the works of philosopher Jean Jacques Rousseau are changing the social thought of Europe. According to Rousseau's philosophy, all people have dignity and worth and should have freedom of thought. The philosophy also has introduced belief in personal fulfillment, freedom of expression, and self determination, which ultimately led to the French and American Revolutions in the late 18th century and revolutions throughout Europe by 1850.

Because the Duchess of Alba embraces Rousseau's philosophy, she is condemned by the "old school" of monarchist Spain that clings to old ideas of a rigid social class and dictatorial views.

Upon seeing the film, the viewer might be inspired to look at prints of Goya's works and see how he expressed ideas of equality and compassion for humanity in his art. By doing so, one will understand the film in a greater context.


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