6.4/10
878
19 user 15 critic

Machine-Gun Kelly (1958)

Unrated | | Action, Biography, Crime | May 1958 (USA)
The criminal exploits of Public Enemy number 1, George 'Machine-Gun' Kelly, during the 1930s.

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Cast

Cast overview:
...
...
Florence 'Flo' Becker
...
Michael Fandango
...
Apple
...
Howard
...
Harry (as Frank De Kova)
Connie Gilchrist ...
'Ma' Becker
Wally Campo ...
Maize
Barboura Morris ...
Lynn Grayson
...
Sherryl Vito (as Dawn Menzer)
George Archambeault ...
Frank
Robert Griffin ...
Mr. Andrew Vito
...
Detective Clinton
Larry Thor ...
Detective Drummond
Shirley Falls ...
Martha
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Storyline

Machine-Gun Kelly, the famous bank robber, seldom without his Thompson machine gun. The story opens with great jazzy music and a murder shown in shadows. His moll is the driving force behind his exploits. He has an exaggerated fear of death and death symbols. The sight of a coffin makes him freeze during a bank job, causing his lieutenant to lose his arm. Finally, the gang kidnaps a little girl along with her nurse and hold them for ransom. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

Without His Gun He Was Naked Yellow!


Certificate:

Unrated | See all certifications »
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Details

Country:

Language:

Release Date:

May 1958 (USA)  »

Also Known As:

Machine Gun Kelly  »

Filming Locations:


Box Office

Budget:

$100,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Actor Dick Miller, a Roger Corman regular, was scheduled to play the title role, but writer R. Wright Campbell kept pushing for his brother, William Campbell, to get it and began tailoring the script to emphasize his brother's strengths. To avoid internal squabbling, Corman assigned the role to Charles Bronson. See more »

Goofs

While loosely--VERY loosely--based on the real "Machine Gun Kelly" (real name George Kelly), there are many incidents in this film that simply never happened. For one thing, the only time Kelly ever fired his machine gun was on on a firing range, and he certainly never killed or even shot at anyone, contrary to what is shown in this film. Also, the Kelly gang didn't kidnap a millionaire's little girl, as shown in this film; they kidnapped the millionaire himself, a wealthy brewer named Charles Urschel, and this is what eventually led to Kelly's capture and imprisonment. Also, he wasn't captured in a shootout with lawmen, as shown here; police and FBI agents in Memphis, TN, surprised him in the stairwell of a boarding house and he fell to his knees and screamed "Don't shoot, G-men!", thereby coining the name that FBI agents have been known by since then--an incident that is completely left out of this film. See more »

Crazy Credits

Opening credits: THE TITLE CHARACTER UPON WHICH THIS STORY IS BASED IS TRUE. The other characters, all events and firms, depicted are fictional. Any similarity to actual persons living or dead is purely coincidental. See more »

Connections

Referenced in Screwballs (1983) See more »

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User Reviews

 
much better than I could've expected; simple but gritty little thriller from Corman and Bronson
1 June 2008 | by (United States) – See all my reviews

Maybe this movie shouldn't be rated this high, but why carp? This is about as good as Roger Corman can get, and uncomplicated too. The script isn't the smartest bank-robber thriller ever, but it's got some good twists and snappy dialog to go along with the package. And unlike many of Corman's early pictures, this one isn't hampered in the least by its low budget. On the contrary, the level of violence is enough that he doesn't have to spend very much on a lot of stunts or blood. If anything, it's a worthy homage to the tommy-gun inspired gangster flicks of the 1930s, done without pretension and with a gutsy leading man.

Charles Bronson stars in the title role, and it's by some of Bronson's own ingenuity with a part like this, and on the part of the script to try and add a little dimension to what could've been a one-dimensional crook into a somewhat sympathetic criminal. The moral of the story for young George Kelly might be that behind a bad-ass man there's a far meaner bad-ass of a woman pulling the strings, bringing out the worst in her man. This isn't so much about full-on reality in so much as Corman tries to get the pulpiest material he can without any filler. While this leaves a little character development up for grabs, and some of the usual lot of not too great acting, there's some real fire going on in the conventional storytelling.

All around, a terrific little B-movie, probably one of Corman's best (in short, not at all a disappointment, especially for those looking for a great early Bronson in tip top shape, and with some range of emotions to boot).


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