Machine-Gun Kelly (1958)

Machine-Gun Kelly, the famous bank robber, seldom without his Thompson machine gun. The story opens with great jazzy music and a murder shown in shadows. His moll is the driving force ... See full summary »

Director:

Roger Corman

Writer:

R. Wright Campbell

Stars:

Charles Bronson, Susan Cabot, Morey Amsterdam

Cast

Cast overview, first billed only:
Charles Bronson	...	George R. 'Machine Gun' Kelly
Susan Cabot	...	Florence 'Flo' Becker
Morey Amsterdam	...	Michael Fandango
Richard Devon	...	Apple
Jack Lambert	...	Howard
Frank DeKova	...	Harry
Connie Gilchrist	...	'Ma' Becker
Wally Campo	...	Maize
Barboura Morris	...	Lynn Grayson
Lori Martin	...	Sherryl Vito (as Dawn Menzer)
George Archambeault	...	Frank
Robert Griffin	...	Mr. Andrew Vito
Michael Fox	...	Detective Clinton
Larry Thor	...	Detective Drummond
Shirley Falls	...	Martha

Storyline

Machine-Gun Kelly, the famous bank robber, seldom without his Thompson machine gun. The story opens with great jazzy music and a murder shown in shadows. His moll is the driving force behind his exploits. He has an exaggerated fear of death and death symbols. The sight of a coffin makes him freeze during a bank job, causing his lieutenant to lose his arm. Finally, the gang kidnaps a little girl along with her nurse and hold them for ransom.

---

Plot Keywords:

bank | machine gun | tommy gun | gangster | surrender | 

---

Taglines:

Without His Gun He Was Naked Yellow!

---

Genres:

Action | Biography | Crime | History

---

Certificate:

Unrated

Details

Country:

USA

Language:

English

Release Date:

May 1958 (USA)

Also Known As:

Das Raubtier

Box Office

Budget:

$100,000 (estimated)

Company Credits

Production Co:

American International Pictures (AIP), El Monte Productions

Technical Specs

Runtime:

80 min

Sound Mix:

Mono

Color:

Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Charles Bronson was about thirty-six years of age when he appeared in this movie.

---

Connections

Referenced in Screwballs (1983)

User Reviews

Don't get smart with this hot-head.

George Kelly is a small-time crook looking to make some big newspaper headlines to impress his imposing moll Flo. After one successful bank robbery after another, one turns into a botch job with Kelly's phobia of death leaving on his men dead and the other wanting his blood. After ridding that problem, due to Flo's pressure to do something. She influences him into kidnapping a wealthy businessman's daughter, but this would lead onto their downfall with Kelly's lurking weakness coming through.

Roger Corman does it again. "Machine-Gun Kelly" is another fine example of perfect film-making on a minimal budget and time restraint, where he's still able to deliver a sturdy, brisk and fleshed-out b-gangster film with a professional touch. The picture looked good, and photographer Floyd Crosby's sharp and shadowy handling brought out the film's brooding ambiance. While Gerald Fried's jazzy music score keeps it all in an exciting and saucy mood. Corman's style isn't overly jumpy, but more so tight, tough and namely suggestive in its actions and basic story telling. Actually there's plenty of time and focus on the material, and that of the complex character of Kelly. One of the major curiosities however, would be that of Charles Bronson's sterling performance as George "Machine-Gun" Kelly. For his first lead role he plays it accordingly, with an on edge and moody shade of an infant bully. Equally as impressive was his icy co-star Susan Cabot. Her vividly titular performance as the cheeky, sly broad of Kelly's is dominantly manipulative. The support cast (Morey, Frank De Kova, Jack Lambert, Richard Devon, Connie Gilchrist) added much-welcomed colour and personality. Corman's straight-laced direction is efficiently organised and he brews up a smoky atmosphere with its authentically wishy-washy 1930's settings. R. Wright Campbell's pulp material is loaded with a snappy, economical and highly engaging script and is loosely based on a 1930s gangster. It's actually an innovative little set-up with some effective psychology brushes and a downbeat ending that fits right at home with the central character's ineptness of his reputation. Kelly's character really sticks out a like a sore thumb compared to the rest of the hardened criminal figures. It's all about the power and name one achieves from these acts is what they're after, not just the doe. This what makes Kelly look uncomfortable.

Even with its limitations, it turns out to be a highly entertaining and satisfying low-scale crime caper by Roger Corman.