| Paul Newman | ... | Ben Quick | |
| Joanne Woodward | ... | Clara Varner | |
| Anthony Franciosa | ... | Jody Varner | |
| Orson Welles | ... | Will Varner | |
| Lee Remick | ... | Eula Varner | |
| Angela Lansbury | ... | Minnie Littlejohn | |
| Richard Anderson | ... | Alan Stewart | |
| Sarah Marshall | ... | Agnes Stewart | |
| Mabel Albertson | ... | Elizabeth Stewart | |
| J. Pat O'Malley | ... | Ratliff | |
| Bill Walker | ... | Lucius (as William Walker) | |
| rest of cast listed alphabetically: | |||
| Robert Adler | ... | Ambulance Driver (uncredited) | |
| Val Avery | ... | Wilk (uncredited) | |
| Jim Brandt | ... | Linus Olds (uncredited) | |
| Brian Corcoran | ... | Harry Peabody (uncredited) | |
| Lee Erickson | ... | Tom Shortly (uncredited) | |
| Byron Foulger | ... | Harris (uncredited) | |
| Eugene Jackson | ... | Waiter (uncredited) | |
| I. Stanford Jolley | ... | Houston (uncredited) | |
| Nicholas King | ... | John Fisher (uncredited) | |
| Terry Rangno | ... | Pete Armistead (uncredited) | |
| Ralph Reed | ... | J.V. Bookright (uncredited) | |
| Victor Rodman | ... | Justice of the Peace (uncredited) | |
| Pat Rosemond | ... | Minor Role (uncredited) | |
| Helen Wallace | ... | Minor Role (uncredited) | |
| Steve Widders | ... | Buddy Peabody (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| William Faulkner | (stories "Barn Burning" and "The Spotted Horses") (novel "The Hamlet") | |
| Irving Ravetch | (screenplay) and | |
| Harriet Frank Jr. | (screenplay) | |
Produced by | |||
| Jerry Wald | .... | producer | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Joseph LaShelle | (director of photography) (as Joseph La Shelle) | ||
Film Editing by | |||
| Louis R. Loeffler | |||
Art Direction by | |||
| Maurice Ransford | |||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Eli Benneche | |||
| Walter M. Scott | |||
Costume Design by | |||
| Adele Palmer | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
| Edwin Allen | .... | makeup artist (uncredited) | |
| Layne Britton | .... | makeup artist (uncredited) | |
| Ruby Felker | .... | hair dresser (uncredited) | |
| Mildred Quinn | .... | body makeup artist (uncredited) | |
| Roy Stork | .... | makeup artist (uncredited) | |
Production Management | |||
| Arthur Lueker | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Eli Dunn | .... | assistant director | |
| Al Murphy | .... | second assistant director (uncredited) | |
Art Department | |||
| Norman Rockett | .... | props (uncredited) | |
Sound Department | |||
| Harry M. Leonard | .... | sound | |
| E. Clayton Ward | .... | sound | |
| L. Ralph Zerbe | .... | recordist (uncredited) | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| Ray Deter | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Walter Davis | .... | still photographer (uncredited) | |
| James E. Lavin | .... | key grip (uncredited) | |
| Irving Rosenberg | .... | camera operator (uncredited) | |
| Don Scott | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | executive wardrobe designer (as Charles LeMaire) | |
| Willie Mae Neal | .... | wardrobe (uncredited) | |
| James Taylor | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
Music Department | |||
| Lionel Newman | .... | conductor | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
Other crew | |||
| Curtis Harrington | .... | assistant to producer (uncredited) | |
| Marie Kenney | .... | script supervisor (uncredited) | |
| Marguerite Lamkin | .... | dialogue coach (uncredited) | |
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| Gone with the Wind | Picnic | They Won't Forget | A Summer Place | The Good Earth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
...and loving it! This movie takes the best of CAT ON A HOT TIN ROOF, A STREETCAR NAMED DESIRE, SUMMER AND SMOKE, throws in more than a dollop of William Inge's PICNIC, borrows the basket auctioning bit from OKLAHOMA! and the digging-for-treasure-by-the-old-collapsing-house subplot from GOD'S LITTLE ACRE - hell, we even get a variation on the cotton gin burning from BABY DOLL - and somehow delivers an original and unforgettable entertainment, the kind of movie they truly don't make any more. Every member of the cast is superb, with Woodward being a standout and Lee Remmick being gorgeous. How audiences must have swooned in 1958! How many people left the theater thinking they had seen something truly naughty and adult! This film has great dialog, atmosphere to spare, stunning yet understated costumes by Adele Palmer, and gorgeous cinematography. This is all tied together by another fine Alex North score. Check out the scene - lasting no more that 45 seconds - when Newman and Woodward cross a small bridge to share a picnic lunch. This music cue is magical. Jerry Wald produced many high-class soap operas at Fox during the late 1950's, but this one is by far the best. Lansbury shines, Welles hams, and Newman takes his shirt off - what more could an audience ask for? A dreamy title tune crooned over the credits? You got it!