Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
Rocky Graziano is building a career in crime, when he's finally caught and arrested. In jail, he is undisciplined, always getting into trouble. When he gets out after many years he has ... See full summary »
Up and coming, young lawyer Anthony Lawrence faces several ethical and emotional dilemmas as he climbs the Philadelphia social ladder. His personal and professional skills are tested as he ... See full summary »
The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Ram Bowen and Eddie Cook are two expatriate jazz musicians living in Paris where, unlike America at the time, Jazz musicians are celebrated and racism is a non-issue. When they meet and ... See full summary »
Ben Quick arrives in Frenchman's Bend, MS after being kicked out of another town for allegedly burning a barn for revenge. Will Varner owns just about everything in Frenchman's Bend and he hires Ben to work in his store. Will thinks his own son, Jody, who manages the store, lacks ambition and despairs of him getting his wife, Eula, pregnant. Will thinks his daughter, Clara, a schoolteacher, will never get married. He decides that Ben Quick might make a good husband for Clara to bring some new blood into the family. Written by
Lisa Grable <firstname.lastname@example.org>
Director Martin Ritt was forever known after this movie as the man who tamed Orson Welles. During filming Ritt drove Welles into the middle of a swamp, kicked him out of the car and forced him to find his own way back. See more »
I saw this film again last night at an old-time movie palace, in an audience of about 2,000 people. The film, which I had seen before, was even more enjoyable then the previous times I had seen it on TV. For one thing, it has some very lovely and well executed uses of the CinemaScope frame. It shows both the dry openness of the landscape, as well as the lush extravagance of the plantation estate which belongs to Orson Welles' character. I'm not too familiar with Faulkner's stories, but the plot elements of this film flow together rather nicely, and there isn't really a dull moment in the whole picture. The only part which is still difficult for me to take, is the resolution of the conflict between Welles' and Franciosa's characters. That scene builds up to something in a matter of minutes, and then suddenly it's over. I could hear disappointment in some audience members in the theater as well, including one person who shouted "What the heck was that about?". This aside, it's still a worthwhile film to see, and the acting of Newman, Woodward, and Welles are standouts. There are also plenty of (probably unintentional) laughs to be had as well. One of the better soap opera-type films to come out of the late 1950s.
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