| Clayton Moore | ... | The Lone Ranger | |
| Jay Silverheels | ... | Tonto | |
| Douglas Kennedy | ... | Ross Brady | |
| Charles Watts | ... | Sheriff Oscar Matthison | |
| Noreen Nash | ... | Mrs. Frances 'Fran' Henderson | |
| Ralph Moody | ... | Padre Vincente Esteban | |
| Lisa Montell | ... | Paviva | |
| John Miljan | ... | Chief Tomache | |
| Dean Fredericks | ... | Dr. James Rolfe (as Norman Fredric) | |
| Maurice Jara | ... | Redbird | |
| William Henry | ... | Henchman Travers (as Bill Henry) | |
| Lane Bradford | ... | Henchman Wilson | |
| rest of cast listed alphabetically: | |||
| Herman Hack | ... | Barfly (uncredited) | |
| Belle Mitchell | ... | Caulama (uncredited) | |
| Bob Woodward | ... | Henchman (uncredited) | |
Directed by | |||
| Lesley Selander | |||
Writing credits(in alphabetical order) | ||
| Eric Freiwald | writer | |
| Robert Schaefer | writer | |
| George W. Trendle | characters (uncredited) | |
Produced by | |||
| Sherman A. Harris | .... | producer | |
| Jack Wrather | .... | producer | |
Original Music by | |||
| Les Baxter | |||
Cinematography by | |||
| Kenneth Peach | |||
Film Editing by | |||
| Robert Golden | (as Robert S. Golden) | ||
Art Direction by | |||
| James Dowell Vance | (as James D. Vance) | ||
Set Decoration by | |||
| Charles S. Thompson | (as Charles Thompson) | ||
Makeup Department | |||
| Layne Britton | .... | makeup supervisor | |
Production Management | |||
| Hugh McCollum | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Willard M. Reineck | .... | assistant director | |
Sound Department | |||
| Philip Mitchell | .... | sound | |
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| The Legend of the Lone Ranger | Son of Zorro | Bend of the River | Return of the Seven | The Searchers |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Although beautifully shot, this United Artists feature is not quite as good as the first Lone Ranger big screen color outing of 1956 by Warner Brothers. But neither is it average, for the cinematic effort does go boldly where most westerns of the time dared not. Remarkably, this 1958 film takes on racial bigotry in a manner that was quite daring for a family western of this period. In point of fact, the writers of this feature should be applauded for going a step farther and making racial "passing" an integral part of an otherwise ordinary plot. How many dramatically significant family films of the time can one name that would dare to have dealt with such an emotionally explosive premise?
It should also be noted, Jay Silverheels for the first time, has a much greater speaking role and acting function than normally allowed for his character, Tonto. All in all, with solid acting from most of it's participants, this is not a bad western. On the whole, the film is thoroughly enjoyable, on several levels, for all members of the family.