Johnny Damico botches a murder case and is suspended from the force. In reality, he is put undercover to identify the mysterious boss of the NY waterfront who has murdered everyone in his way. Will Johnny be next in line?
Based on actual cases from the San Francisco Police files, Lt. Guthrie and Inspector Grebb work as a team to track down criminals. In the last season Inspectors Delaney and Summers are ... See full summary »
When Miami, Florida became national headquarters for a ten billion dollar crime syndicate ruled by crime-czar Tomy Brill (Luther Adler), whose chief henchman is Ted Delacorte (John Baer), a... See full summary »
On a dark night of pelting rain, five men stage a well-planned train robbery and get away with a $10 millionr, nine-ton gold shipment. Dividing the massive haul into three concealed truck ... See full summary »
In San Francisco, two police inspectors are on the case when a rogue taxi driver, with the help of a rogue porter, manages to steal the suitcase of an antiques collector before running down a cop, whose dying gesture is to shoot the cabbie dead. The inspectors discover that a statuette in the suitcase contains heroin. Meanwhile, a psychopathic gangster, his malignant mentor and their dipsomaniac driver have the job of picking up the other heroin shipments, hidden in the luggage of unsuspecting travelers. All goes well until they attempt to retrieve the heroin stuffed in a Japanese doll. A little girl and her lovely young mother have the doll, but when the crooks take possession of it, they find that the heroin has mysteriously vanished. Written by
At approximately 0:50, Jaeckel, Wallach & Keith drive by the Nob Hill Theatre on California Street, which was located on the street level of the Fairmont Hotel; the marquee tells us their double bill consists of Deborah Kerr & Cary Grant in An Affair to Remember and Henry Fonda & Lee J. Cobb in Twelve Angry Men. See more »
When the 4:30 siren blows, the shadows under the police cars are almost vertical; more like noon. See more »
[Surveilling a man at a meet]
How do we know thats him?
He's wearing horned rim glasses ain't he? He's wearing a trench coat ain't he, with the collar turned down? No, it's got to be him, because who wears a trench coat with a collar turned down?
See more »
THE LINEUP is a very well-wrought B movie from the latter days of film noir. By this point in noir history, the dark shadows and oppressive environs were being supplanted by more location shooting and a look that generally derived from television-type production. THE LINEUP, in fact, does have a TV series connection.
Director Don Siegel (INVASION OF THE BODY SNATCHERS, HELL IS FOR HEROES, THE KILLERS) seems always to display the basic mark of a good director: his film are never dull. THE LINEUP opens with a brief, exciting chase scene that grabs attention and sets up for the main plot. Siegel then paces the film nicely, slowly building to more excitement and interest.
Eli Wallach is an inspired choice for a villain. He conveys plenty of insecure vulnerability along with a cold toughness. Among several memorable moments is the scene where Wallach takes the trouble to show a little girl how to use a telescope, amid his own near-panic and dread, as he is about to confront 'The Man'. Undervalued Robert Keith is a bit shocking as a cynical, aging career criminal ("Women have no place in society, they don't appreciate the need for violence" he tells a terrified female victim). Mary La Roche is very fine as that kidnapped victim. And Vaughn Taylor, great stalwart of so much film and TV, is fearsome as 'The Man'.
Siegel takes full advantage of the beautiful San Francisco locations. This title can be added to the list of films that document a bygone era, by using locations that may no longer exist at all or as they are seen here.
48 of 51 people found this review helpful.
Was this review helpful to you?