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The Lineup (1958)

Approved  |   |  Crime, Film-Noir, Drama  |  11 June 1958 (USA)
7.4
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Ratings: 7.4/10 from 1,281 users  
Reviews: 29 user | 23 critic

In San Francisco, a psychopathic gangster and his mentor retrieve heroin packages carried by unsuspecting travelers.

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Cast

Cast overview:
...
Dancer
Robert Keith ...
Julian
...
Sandy McLain
Mary LaRoche ...
Dorothy Bradshaw
William Leslie ...
Larry Warner
Emile Meyer ...
Insp. Al Quine
Marshall Reed ...
Insp. Fred Asher
...
Philip Dressler
...
The Man
Cheryl Callaway ...
Cindy Bradshaw
Robert Bailey ...
Staples
Warner Anderson ...
Lt. Ben Guthrie
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Storyline

In San Francisco, two police inspectors are on the case when a rogue taxi driver, with the help of a rogue porter, manages to steal the suitcase of an antiques collector before running down a cop, whose dying gesture is to shoot the cabbie dead. The inspectors discover that a statuette in the suitcase contains heroin. Meanwhile, a psychopathic gangster, his malignant mentor and their dipsomaniac driver have the job of picking up the other heroin shipments, hidden in the luggage of unsuspecting travelers. All goes well until they attempt to retrieve the heroin stuffed in a Japanese doll. A little girl and her lovely young mother have the doll, but when the crooks take possession of it, they find that the heroin has mysteriously vanished. Written by J. Spurlin

Plot Summary | Add Synopsis

Plot Keywords:

heroin | driver | gangster | mentor | doll | See All (95) »

Taglines:

The Manhunt They Had To Put on the Giant-Sized Movie Theatre Screen! See more »

Genres:

Crime | Film-Noir | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

11 June 1958 (USA)  »

Also Known As:

A bün felállása  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

According to director Don Siegel, star Eli Wallach was originally hostile because he was upset that, after a prestigious film debut in Baby Doll (1956), he was doing a routine thriller as his second film. Midway through the shoot, however, Wallach realized he was actually playing a complex role in a well-written film and became more sympathetic to the project. See more »

Goofs

Seaman Warner is pointed out to Dancer at the ship just before the noon siren sounds. The next scene shows Warner signing into the steam room at the Seaman's Club. After he is murdered, the police ask the steam room attendant when Warner signed in and are told 11:05. See more »

Quotes

Lt. Ben Guthrie: [Surveying the dead junkie's apartment] Looks like Warner was quite a traveler.
Insp. Al Quine: [Sardonically] And nothin' like the trip he just took.
See more »

Connections

References An Affair to Remember (1957) See more »

Soundtracks

Polly Wolly Doodle
(uncredited)
Song first published Harvard student songbook in 1880.
Heard on calliope in museum
See more »

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User Reviews

Another Don Siegel Triumph
6 February 2003 | by (Out there in the dark) – See all my reviews

THE LINEUP is a very well-wrought B movie from the latter days of film noir. By this point in noir history, the dark shadows and oppressive environs were being supplanted by more location shooting and a look that generally derived from television-type production. THE LINEUP, in fact, does have a TV series connection.

Director Don Siegel (INVASION OF THE BODY SNATCHERS, HELL IS FOR HEROES, THE KILLERS) seems always to display the basic mark of a good director: his film are never dull. THE LINEUP opens with a brief, exciting chase scene that grabs attention and sets up for the main plot. Siegel then paces the film nicely, slowly building to more excitement and interest.

Eli Wallach is an inspired choice for a villain. He conveys plenty of insecure vulnerability along with a cold toughness. Among several memorable moments is the scene where Wallach takes the trouble to show a little girl how to use a telescope, amid his own near-panic and dread, as he is about to confront 'The Man'. Undervalued Robert Keith is a bit shocking as a cynical, aging career criminal ("Women have no place in society, they don't appreciate the need for violence" he tells a terrified female victim). Mary La Roche is very fine as that kidnapped victim. And Vaughn Taylor, great stalwart of so much film and TV, is fearsome as 'The Man'.

Siegel takes full advantage of the beautiful San Francisco locations. This title can be added to the list of films that document a bygone era, by using locations that may no longer exist at all or as they are seen here.

Highly recommended.


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