Assola is an imaginary village on the border between Italy and France and the borderline crosses the village itself. The French customs agent Ferdinand is always trying to catch the Italian...
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Esposito is a thief who cons tourists in Rome. A lengthy persecution by police Bottoni, who manages to catch it starts. In an oversight Esposito manages to flee again. Bottoni superiors inform him that if no catches him will lose his job.
Tribute to Naples, where director De Sica spent his first years, this is a collection of 6 Napolitean episodes : a clown exploited by a gangster ; an inconstant pizza seller (Sofia) loosing... See full summary »
Vittorio De Sica
Eduardo De Filippo
I cugini Posalaquaglia sono due piccoli truffatori e vivacchiano di espedienti: Dante ottiene come riconoscimento per Tommaso una cambiale da centomila lire del famoso finanziere ... See full summary »
All'inizio del '900 il barone Pio Degli Ulivi possiede un'affermata sartoria ecclesiastica mentre suo pratello Ottone detto Zazà ha sperperato tutto e si dà alla bella vita e al gioco. ... See full summary »
Antonio si trova a Roma grande città centro della "Dolce vita", con i soldi raccolti dai compaesani, per perorare la causa del paese: Costruire un autostrada che vi passi vicino. Ma i ... See full summary »
When their boss dies two clerks eagerly wait for the next one to arrive. Each one of them hopes to become the apple of his eye. They compete in every possible way to win him over causing ... See full summary »
Antonio, Peppino and Lucia are three brothers who live in the country near Naples. Lucia's son, Gianni, goes to Naples to study medicine, but there he knows a ballet dancer. They fall in ... See full summary »
Assola is an imaginary village on the border between Italy and France and the borderline crosses the village itself. The French customs agent Ferdinand is always trying to catch the Italian smuggler Giuseppe. Giuseppe discovers that Ferdinand was actually born in Italy and therefore he can't be a French customs agent. Written by
Piergiorgio Romani <email@example.com>
The "imagine there's no countries/it's not hard to do" "frontiers are absurd" concept was much better applied on Christian-Jaque's "Si Tous Les Gars Du Monde " (1956).This Italian-French production is rather ponderous.Both Fernandel (who had seen better days with Christian-Jaque in the thirties with "Ernest le Rebelle" "Un De La Legion" or "François Premier" )and his Italian counterpart Toto overact as if the director had left them to their own devices.
The screenplay was delirious though:whatever he says or does,Fernandel finds himself back against the law,a law which is his reason to live.In turn,an alien in his homeland,a deserter ,a bigamist,you name it.It would have taken an Italian director such as Dino Risi or Luigi Comencini to treat this story successfully.
Probably made to capitalize on the success of Duvivier's "Don Camillo" series.
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