Mickey, Donald, and Goofy live in a land where everything is dried up and dead. The only food they have is one loaf of bread, even Donald's plans of killing their cow fail. So Mickey ... See full summary »
Mickey has been reading Lewis Carroll's "Through the Looking-Glass, and What Alice Found There", and falls asleep. He finds himself on the other side of the mirror, where the furniture is ... See full summary »
A delivery stork mistakenly delivers Lambert, a lion cub, to a flock of sheep. The mother won't let the stork take him back, so Lambert is raised as a sheep, but he just doesn't fit in. He ... See full summary »
Max Hare is boxing Toby Tortoise, and beating him severely in round one. Between rounds, a Mae West lookalike tells Toby she "likes a man who takes his time", which seems to reinvigorate ... See full summary »
In a small town named Sleepy Hollow, a gangly schoolteacher named Icabod Crane comes to town. Despite his unattractive appearance, he quickly proves to be a ladies man who charms the local beauty, much to the local tough, Brom Bones', displeasure. A subtle rivalry erupts, only to have Crane continually gaining the upper hand. The situation changes when Brom learns of Crane's superstitions and exploits them as he musically tells the legend of the fearsome Headless Horseman to frighten the teacher. That night, Crane's lonely night ride home becomes more lively than he ever imagined as the Horseman appears to chase him. Written by
Kenneth Chisholm (firstname.lastname@example.org)
THE LEGEND OF SLEEPY HOLLOW - about the Headless Hessian who rides at night seeking his lost head - is about to terrify another victim on Halloween Night.
Washington Irving's classic story comes alive in this wonderful little film, originally the second half of THE ADVENTURES OF ICHABOD AND MR. TOAD (1949). Bing Crosby's singing narration and the excellent animation tell a tale of humor and genuine fright. Ichabod Crane, the pedantic pedagogue, is a triumph of the animators' art, while the film's climax - the ride through the Hollow & the appearance of the hideous Hessian - is a celebration of pacing and stylistic understatement.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.
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