6.5/10
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44 user 21 critic

The Left Handed Gun (1958)

Approved | | Western | 17 May 1958 (USA)
After his employer is murdered by rival cattlemen, a troubled and uneducated young cowboy vows revenge on the murderers.

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(screenplay), (play)
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Cast

Cast overview, first billed only:
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James Congdon ...
Charlie Boudre
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Tunstall
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Hill (as Bob Anderson)
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Deputy Moon
Ainslie Pryor ...
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Saval
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Smith
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Pete Maxwell
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Storyline

William Bonney - Billy the Kid - gets a job with a cattleman known as 'The Englishman,' and is befriended by the peaceful, religious man. But when a crooked sheriff and his men murder the Englishman because he plans to supply the local Army fort with his beef, Billy decides to avenge the death by killing the four men responsible, throwing the lives of everyone around him - Tom and Charlie, two hands he worked with; Pat Garrett, who is about to be married; and the kindly Mexican couple who take him in when he's in trouble - into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory. Written by Gary Dickerson <slug@mail.utexas.edu>

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All of a sudden, just for the kicks Billy would slip down to Mexico. See more »

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

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Language:

|

Release Date:

17 May 1958 (USA)  »

Also Known As:

Billy the Kid  »

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Box Office

Budget:

$700,000 (estimated)
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The sets for the town of Medaro were actually left over from Warners' 1939 epic Juarez (1939). Although they were in state of great disrepair, parts of them were salvaged for use in "The Left-Handed Gun." See more »

Goofs

Billy and the others are at a lake. You see the reflection of the moon in the water. One of them shouts "the moon" and they start shooting the reflection of the moon. When the camera zooms out, you see Billy and his pals are facing the camera, so the moon was in their back all the time. Hence there couldn't have been a reflection of the moon. See more »

Quotes

Moultrie: [when he sees Billy] I knew you weren't dead!
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Soundtracks

Rock of Ages
(uncredited)
Lyrics by Augustus Montague Toplady and music by Thomas Hastings
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User Reviews

 
Interesting revolutionist vision of Billy the Kid
6 February 2008 | by See all my reviews

Based on Gore Vidal's play (which had already been filmed once for television with Newman), THE LEFT HANDED GUN is an unusual addition to the western genre, with several considerable attempts at psychoanalysis that were slightly ahead of the time for this type of picture. The film is more or less a bio of infamous outlaw Billy the Kid, with the novelty that Billy (played by Newman) is sympathetically portrayed more as a misunderstood youth rather than an outright criminal. Director Arthur Penn and screenwriter Leslie Stevens (working from Vidal's original play) have done a commendable job at presenting Vidal's revolutionist vision of Billy, even though the film sometimes rambles and lacks the streamlined momentum that made Penn's similar BONNIE AND CLYDE (1967) an American film masterpiece. The entire story was filmed much more effectively in Sam Peckinpah's cult classic PAT GARRETT & BILLY THE KID (1973), but THE LEFT HANDED GUN stands as an interesting curio and a film that (aside from some overwrought acting) has aged very well. This was yet another role that was originally intended to be played by James Dean that Newman stepped into after that young actor's tragic death. Unlike 1956's SOMEBODY UP THERE LIKES ME (which Newman played to perfection), I actually think that Dean might have actually been better suited to play Billy the Kid, as his nervy stance and cocksure demeanor have yet to be match by anyone and possibly could have enhanced the role even further. Newman is still quite good, however, playing the role as closely to Vidal's original concept as possible, and there is a particularly lovely scene with Newman's reaction as Billy to a Biblical verse remaining one of my favorite pieces of reactive acting ever. The sympathetic portrayal of Billy the Kid also gave Newman his first real shot at playing an anti-hero, a task that he would later perfect in the 24-Karat film masterpieces THE HUSTLER (1961) and HUD (1963).


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