Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.
Drifter Chance Wayne returns to his hometown after many years of trying to make it in the movies. Arriving with him is a faded film star he picked up along the way, Alexandra Del Lago. ... See full summary »
This story of four working-class kids in a small industrial town--who go their separate ways after high school in the innocence of 1961 and come together again at the end of the turbulent ... See full summary »
William Bonney - Billy the Kid - gets a job with a cattleman known as 'The Englishman,' and is befriended by the peaceful, religious man. But when a crooked sheriff and his men murder the Englishman because he plans to supply the local Army fort with his beef, Billy decides to avenge the death by killing the four men responsible, throwing the lives of everyone around him - Tom and Charlie, two hands he worked with; Pat Garrett, who is about to be married; and the kindly Mexican couple who take him in when he's in trouble - into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory. Written by
Gary Dickerson <firstname.lastname@example.org>
Interestingly, the title of this movie promotes a common misconception that was proved untrue in 1986. Two almost identical tintypes of Billy the Kid were taken at the same time in 1880. The original of one tintype disappeared years ago. The second original tintype was preserved for years in the Sam Diedrick family and came to light only in 1986. Since tintypes are reversed images, the picture from the first tintype led to the myth of the left-handed gun. After the second tintype came to light, the reversed image was reversed to show the Kid as he actually posed, with a Winchester carbine in the left hand and his holstered Colt single-action on his right hip. See Utley, Robert M., Billy the Kid, A Short and Violent Life, University of Nebraska Press, 1989. Statement following page 110 alongside the picture of Billy the Kid. See more »
Billy and the others are at a lake. You see the reflection of the moon in the water. One of them shouts "the moon" and they start shooting the reflection of the moon.
When the camera zooms out, you see Billy and his pals are facing the camera, so the moon was in their back all the time. Hence there couldn't have been a reflection of the moon. See more »
Like the precedent user said,all that will follow in Penn's best works is already here:the search of a father,the marginal hero,incapable of becoming part of a community.In "Miracle worker", which I look upon as his masterpiece,Helen's father is thoroughly unable to communicate with his daughter who immures herself in her autism.In "the chase" Robert Redford's character has been an outcast for his whole life.In "Bonnie and Clyde" ,not only Penn depicts par excellence marginal characters but he also introduces CW Moss's character ,whose father is a mean old man,and who loves the two gangsters as his parents.
At the beginning of the movie ,Billy is still a boy searching for his identity.His boss,who reads him the Bible ("through a glass,darkly"),gives him what he's longing for.One must notice that the relationship Billy/his boss-father is too short on the screen to be really convincing.This is accentuated by the fact that the supporting cast is faceless,and once his "dad" is dead,Newman carries the movie on his own:his performance is typically "actor's studio",very deep,very introspective,in a nutshell he plays Billy as he would play a Tennesse Williams character.We're far from the western actor,such as John Wayne or Joel McCrea.The sentence "I do not want you" often comes in the lines and drives Billy to despair and violence.Actually it's the last sentence he hears from the man he loves so much.
Because they have no shoulder to lean on,Penn's heroes are doomed oedipean human beings and except for Helen in "Miracle worker",their destiny leaves them no hope.
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