The Left Handed Gun (1958)

Director:

Arthur Penn

Writers:

Leslie Stevens (screenplay)
Gore Vidal (play)

Release Date:

26 September 1958 (France)

Genre:

Biography | Western

Tagline:

This is William Bonney, a juvenile "tough" from the back-alleys of New York... a teenager wanted dead or alive throughout the West. This is the screen's first real story of the strange teen-age desperado known to legend as "Billy the Kid"...

Plot:

After his employer is murdered by rival cattlemen, a troubled and uneducated young cowboy vows revenge on the murderers,

Plot Keywords:

Cowboy | Billy The Kid | Revenge | Cattleman | Murder

Cast

Paul Newman	...	Billy The Kid
Lita Milan	...	Celsa
John Dehner	...	Pat Garrett
Hurd Hatfield	...	Moultrie
James Congdon	...	Charlie Boudre
James Best	...	Tom Folliard
Colin Keith-Johnston	...	Tunstall
John Dierkes	...	McSween
Robert Anderson	...	Hill (as Bob Anderson)
Wally Brown	...	Deputy Moon
Ainslie Pryor	...	Joe Grant
Martin Garralaga	...	Saval
Denver Pyle	...	Ollinger
Paul Smith	...	Smith
Nestor Paiva	...	Pete Maxwell

Runtime:

102 min

Country:

USA

Language:

English | Spanish

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Australia:M | USA:Approved (certificate #18709) | UK:PG | West Germany:16 (nf) | Spain:13 | Portugal:M/12 | Canada:14A (video rating) | Finland:K-16 | Norway:16 | Sweden:15

Filming Locations:

Columbia/Warner Bros. Ranch - 411 N. Hollywood Way, Burbank, California, USA

Company:

Haroll Productions

Trivia:

The sets for the town of Medaro were actually left over from Warners' 1939 epic Juarez (1939). Although they were in state of great disrepair, parts of them were salvaged for use in "The Left-Handed Gun."

Goofs:

Factual errors: The film is about western outlaw Billy the Kid, who was in fact right-handed.

Quotes:

Moultrie: [to Billy] What is it? What's wrong? You all right? You're not like the books! You don't wear silver studs! You don't stand up to glory! You're not him!
[crying]
Moultrie: You're not him! You're not him!

Movie Connections:

Featured in Gunfighters of the Old West (1992) (V)

It Ain't Hud

I wonder what the mature Paul Newman thought of this early movie performance. Of course, 'mature' is a relative term since he's already 33 here, well beyond the 'kid' range. In my little book, it's the most mannered and misdirected acting of his long and distinguished career. It's almost like he's working at an excess of James Dean. That wouldn't be surprising since the screenplay's Billy comes across as more misunderstood youth than cold-blooded killer. I guess this is the first of director Penn's efforts at rehabilitating notorious American outlaws, leading up to the glossy Bonnie and Clyde (1967).

The movie itself is pretty good, the open range locations even looking like eastern New Mexico, while Penn uses them to good effect. But it's really James Best as the ill-fated henchman Tom who steals the film. His supporting role manages a certain poignancy that should have come from Billy, but doesn't. With the right breaks, I think Best could have carved a real niche in films. Speaking of supporting players, with the exception of the cartoonish Moultrie (Hatfield), they appear recruited from the many TV Westerns of the day, especially the familiar Denver Pyle and the classy John Dehner.

Penn establishes himself here as a moviemaker to watch with a number of nice touches— having Pyle squint into the sun just before the fateful moment, the lone boot left standing in the road, and others. I'm kind of sorry that the baby-faced Audie Murphy didn't get a shot at Billy's role. Visually, he's perfect. Plus, surprisingly for that boyish appearance, he could do a killer-stare to make you believe he killed 100 Germans during the war. Also, Murphy could have made that key facedown scene with Joe Bell (Pryor) as genuinely chilling as it should be. For whatever the charming Newman's considerable skills, being downright mean is not one of them. Anyway the movie remains an interesting entry on the road to 1960's-style rebellious movie-making.