Crude and uncivilized backwoods trapper Jed Cooper and his two partners sign up as scouts in a remote Oregon army fort, manned chiefly by untrained rookie soldiers. Jed, flirting with the ... See full summary »
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. ... See full summary »
A rich, dying Easterner hires gunfighter Brad Ellison to find his brother and heir in Mexico. En route, it becomes clear to Ellison that his is a dying profession. At a remote rancho, Ellison enlists ranch foreman Miles Lang to help him search the hills where the missing man is rumored to have lived. They find nothing ...except that someone wants to kill them; and Ellison becomes wrapped in a maze of double crosses. Written by
Rod Crawford <firstname.lastname@example.org>
Two silver dollars play a part in this film. It is explained that they are "1794 Silver Dollars, the first from the US Mint." However what is actually displayed in the movie is the reverse side of a US silver dollar known as the Morgan Dollar, after its designer, George Morgan. This dollar was not minted until 1878 (Actually 1878-1904 and 1921.) Therefore, actual 1794 dollar coins were not shown. See more »
I've met a lot of men in my time. A woman they forget, a mine busting with gold, even the faces of their own children. But I've never met a man who forgot a grave he dug.
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terrific script, but almost too smart toward the end
This movie features one of the smartest Western scripts from the time, with a terrific plot line, sharp dialogs, and believable characters. The ending, as has been commented upon, is indeed “short and not settled with firearms,” but there’s three excellent reasons it had to be that way, related to character, plot, and story arch, respectively. I don’t want to spoil any of it, but you’ll see when you see it. You could say, though, that the script’s a little bit too tight-knit/too smart toward the end and maneuvered itself into some predictability. But everything else makes up for it. Another thing I liked about this ’58 movie was that it pretty much managed to avoid stereotyping, endemic to so many Westerns set against the background of the Rio Grande neighborhood. So I guess 9 out of 10 stars would be a fair call.
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