Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about ... See full summary »
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Deke Rivers is a delivery man who is discovered by publicist Glenda Markle and country-western musician Tex Warner who want to promote the talented newcomer to fame and fortune, giving him ... See full summary »
Director:
Hal Kanter
Stars:
Elvis Presley,
Lizabeth Scott,
Wendell Corey
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Director:
Sergio Leone
Stars:
Robert De Niro,
James Woods,
Elizabeth McGovern
Chicago February 14th 1929. Al Capone finally establishes himself as the city's boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with ... See full summary »
Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about the only joint around not run by smarmy crook Maxie Fields who wants him for his own place. He gets on pretty well with Fields' floozy though, and all this plus his involvement with Fields' hoods and with innocent five-and-dime store assistant Nellie means Danny finds his world closing in on him all ways round. Written by
Jeremy Perkins {J-26}
In the beginning of the movie there is a scene where people on the street sing a song. In one part a woman is singing on the song, but the picture shows a male singer. See more »
Quotes
Ronnie:
Maybe we'll meet some place by accident.
Danny Fisher:
Will you tell me where you think the accident will take place and I'll make sure I'm there.
See more »
Elvis Presley can act! This is perhaps his best movie and certainly the one with the strongest plot. Based on the Harold Robbins novel A Stone for Danny Fisher', Elvis plays Danny with that teenage angst you'd associate more with James Dean or the young Marlon Brando. The music too is exceptional, with the sexy title track alongside of such gems as Steadfast, Loyal and True', Crawfish' (that unusual of things, a duet between Elvis and Kitty White), Hard Headed Woman', and Trouble'.
The supporting cast is also eminently watchable Dean Jagger, Walter Matthau, Vic Morrow, Carolyn Jones and help to move the pace along. The look of the film in its non-musical moments is strictly noir, and the whole piece is slickly directed by Michael Curtiz.
King Creole', and a handful of other Presley movies, hint at the movie career that he could have had without his manager Col. Parker's constant greed to display his peacock client in an ever-grating role of innocence to make money.
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Elvis Presley can act! This is perhaps his best movie and certainly the one with the strongest plot. Based on the Harold Robbins novel A Stone for Danny Fisher', Elvis plays Danny with that teenage angst you'd associate more with James Dean or the young Marlon Brando. The music too is exceptional, with the sexy title track alongside of such gems as Steadfast, Loyal and True', Crawfish' (that unusual of things, a duet between Elvis and Kitty White), Hard Headed Woman', and Trouble'.
The supporting cast is also eminently watchable Dean Jagger, Walter Matthau, Vic Morrow, Carolyn Jones and help to move the pace along. The look of the film in its non-musical moments is strictly noir, and the whole piece is slickly directed by Michael Curtiz.
King Creole', and a handful of other Presley movies, hint at the movie career that he could have had without his manager Col. Parker's constant greed to display his peacock client in an ever-grating role of innocence to make money.