| Complete credited cast: | |||
| Elvis Presley | ... | ||
| Carolyn Jones | ... |
Ronnie
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| Walter Matthau | ... |
Maxie Fields
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| Dolores Hart | ... |
Nellie
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| Dean Jagger | ... |
Mr. Fisher
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Liliane Montevecchi | ... |
Forty Nina
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| Vic Morrow | ... |
Shark
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| Paul Stewart | ... |
Charlie LeGrand
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Jan Shepard | ... |
Mimi Fisher
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Brian G. Hutton | ... |
Sal
(as Brian Hutton)
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| Jack Grinnage | ... |
Dummy
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Dick Winslow | ... |
Eddie Burton
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| Raymond Bailey | ... |
Mr. Evans - School Principal
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| Rest of cast listed alphabetically: | |||
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Leon Tyler | ... |
Drug Clerk
(scenes deleted)
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Having flunked graduation for a second time and needing cash to support his crabby (and thus unemployed) father, Danny Fisher takes a job as a singer in the King Creole nightclub - about the only joint around not run by smarmy crook Maxie Fields who wants him for his own place. He gets on pretty well with Fields' floozy though, and all this plus his involvement with Fields' hoods and with innocent five-and-dime store assistant Nellie means Danny finds his world closing in on him all ways round. Written by Jeremy Perkins {J-26}
Elvis Presley can act! This is perhaps his best movie and certainly the one with the strongest plot. Based on the Harold Robbins novel A Stone for Danny Fisher', Elvis plays Danny with that teenage angst you'd associate more with James Dean or the young Marlon Brando. The music too is exceptional, with the sexy title track alongside of such gems as Steadfast, Loyal and True', Crawfish' (that unusual of things, a duet between Elvis and Kitty White), Hard Headed Woman', and Trouble'.
The supporting cast is also eminently watchable Dean Jagger, Walter Matthau, Vic Morrow, Carolyn Jones and help to move the pace along. The look of the film in its non-musical moments is strictly noir, and the whole piece is slickly directed by Michael Curtiz.
King Creole', and a handful of other Presley movies, hint at the movie career that he could have had without his manager Col. Parker's constant greed to display his peacock client in an ever-grating role of innocence to make money.