| Photos (see all 17 | slideshow) |
| Toshirô Mifune | ... | General Rokurota Makabe | |
| Misa Uehara | ... | Princess Yuki | |
| Minoru Chiaki | ... | Tahei | |
| Kamatari Fujiwara | ... | Matakishi | |
| Takashi Shimura | ... | The Old General, Izumi Nagakura | |
| Susumu Fujita | ... | General Hyoe Tadokoro | |
| Eiko Miyoshi | ... | Old Lady-in-Waiting | |
| Toshiko Higuchi | ... | Farmer's Daughter bought from slave trader | |
| Koji Mitsui | ... | Guard | |
| Shiten Ohashi | ... | Samurai | |
| Kichijiro Ueda | ... | Slave Trader | |
| Ikio Sawamura | ... | Gambler | |
| rest of cast listed alphabetically: | |||
| Takuzo Kumagaya | ... | Yamana foot soldier (as Jirô Kumagai) | |
| Tadao Nakamaru | ... | Young Man | |
| Rinsaku Ogata | ... | Second Young Man | |
| Ichirô Chiba | ... | Yamana foot soldier (uncredited) | |
| Yu Fujiki | ... | Barrier guard (uncredited) | |
| Shoichi Hirose | ... | Yamana soldier (uncredited) | |
| Minoru Ito | ... | Samurai on horseback (uncredited) | |
| Shigemasa Kanazawa | ... | Samurai on horseback (uncredited) | |
| Takeshi Katô | ... | Fleeing, bloody samurai (uncredited) | |
| Kokuten Kodo | ... | Old man in front of sign (uncredited) | |
| Yoshio Kosugi | ... | Akisuki soldier (uncredited) | |
| Ryu Kuze | ... | Akitsuki soldier (uncredited) | |
| Masayoshi Nagashima | ... | Yamana samurai (uncredited) | |
| Haruo Nakajima | ... | Akisuki soldier (uncredited) | |
| Etsuro Nishijo | ... | Yamana samurai (uncredited) | |
| Takeo Obugawa | ... | Guard at pass barrier (uncredited) | |
| Toranosuke Ogawa | ... | Magistrate of the bridge barrier (uncredited) | |
| Senkichi Omura | ... | Soldier (uncredited) | |
| Shin Otomo | ... | Samurai on horseback (uncredited) | |
| Yutaka Sada | ... | Guard at bridge barrier (uncredited) | |
| Sachio Sakai | ... | Captured foot soldier (uncredited) | |
| Haruya Sakamoto | ... | Samurai on horseback (uncredited) | |
| Makoto Satô | ... | Yamada foot soldier (uncredited) | |
| Haruo Suzuki | ... | Samurai on horseback (uncredited) | |
| Yoshifumi Tajima | ... | Potential slave buyer (uncredited) | |
| Akira Tani | ... | Captured foot soldier (uncredited) | |
| Nakajiro Tomita | ... | Potential slave buyer (uncredited) | |
| Yoshio Tsuchiya | ... | Samurai on horse (uncredited) | |
| Hiroyoshi Yamaguchi | ... | Samurai on horseback (uncredited) | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Shinobu Hashimoto | writer | |
| Ryuzo Kikushima | writer | |
| Akira Kurosawa | writer | |
| Hideo Oguni | writer | |
Produced by | |||
| Sanezumi Fujimoto | .... | producer (as Masumi Fujimoto) | |
| Akira Kurosawa | .... | producer | |
Original Music by | |||
| Masaru Satô | |||
Cinematography by | |||
| Kazuo Yamasaki | (as Ichio Yamazeki) | ||
Film Editing by | |||
| Akira Kurosawa | |||
Production Design by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Masahiro Katô | |||
Makeup Department | |||
| Yoshiko Matsumoto | .... | hair stylist | |
| Junjiro Yamada | .... | hair stylist | |
Production Management | |||
| Hiroshi Nezu | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Yoshimitsu Banno | .... | assistant director (as Yoshimitsu Sakano) | |
| Yoichi Matsue | .... | assistant director | |
| Samaji Nonagase | .... | chief assistant director | |
| Ken Sano | .... | assistant director | |
| Yasuyoshi Tajitsu | .... | assistant director | |
| Masahiro Takase | .... | assistant director | |
Art Department | |||
| Kôhei Ezaki | .... | art supervisor | |
| Koichi Hamamura | .... | property master | |
| Shinko Kato | .... | assistant art director | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Yoshiro Miyamoto | .... | sound assistant | |
| Hisashi Shimonaga | .... | sound mixer | |
| Fumio Yanoguchi | .... | sound | |
Camera and Electrical Department | |||
| Sei Arai | .... | assistant lighting technician | |
| Masao Fukuda | .... | still photographer | |
| Ichirô Inohara | .... | lighting technician | |
| Takao Saitô | .... | assistant camera | |
| Daisaku Kimura | .... | assistant camera (uncredited) | |
Editorial Department | |||
| Chozo Kobata | .... | negative cutter | |
Other crew | |||
| Shigeru Endo | .... | horseback riding instructor | |
| Takuyuki Inoue | .... | production assistant | |
| Ienori Kaneko | .... | horseback riding instructor | |
| Yoji Ken | .... | choreographer | |
| Teruyo Nogami | .... | script supervisor | |
| Koichi Noguchi | .... | accountant | |
| Yoshio Sugino | .... | swordplay instructor | |
| Yuichi Yoshitake | .... | acting office | |
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| Shichinin no samurai | Yojimbo | Tsubaki Sanjûrô | Kumonosu jô | Star Wars |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
| Add this title to MyMovies |
Legendary director Akira Kurosawa has made a lot of great films, many of which have gone on to inspire whole areas of cinema. While Hidden Fortress doesn't represent his best, most influential or most important work; it's definitely an important movie in film history in it's own right, and besides that, it's a damn good movie to boot. I was most surprised at the amount of comic relief present in the movie. When watching a Kurosawa film, I always expect it to be a serious affair; so the comedy in this movie made for a surprise, which was, on the whole, a good surprise as like most things in Kurosawa's films; it works. The film has become most famous recently for the many parallels that it has with the masterpiece 'Star Wars', and it has become well documented that this film was a major influence on said movie, which is shown most clearly by the fact that a lot of the story is shown through the eyes of two bumbling people that aren't all that relevant to the central plot, and the style of editing; which George Lucas adopted many times in his epic trilogy.
The plot follows a princess who must be escorted across enemy lines by her general. Two greedy peasants join the escort on the promise of a reward of gold. Like Star Wars, the plot here is relatively simple; and it's the way that the story is portrayed, not the story itself, that makes this movie great. Despite it's simplicity, Kurosawa gives it the style of an epic; and it really feels like one. Kurosawa regular, Toshirô Mifune heads a great ensemble cast; all of which do well in their roles. Kurosawa had a great talent for pulling great performances out of everyone in his films, and he shows that talent excellently here. The cinematography is excellent, and the master director has managed to capture some truly stunning landscapes, which serve in adding beauty to the picture. This film is, of course, in black and white; and that is Kurosawa at his best in my opinion. While I loved 'Ran' and it's vibrant colours, black and white allows Kurosawa to blend atmosphere into his films, and they're always the better for it. On the whole, Kurosawa is a genius - and this is one of his best films.