The Music Room
(1958)
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| Watch Trailer 0Share... |
The Music Room
(1958)
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| Watch Trailer 0Share... |
| Complete credited cast: | |||
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Chhabi Biswas | ... |
Huzur Biswambhar Roy
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| Rest of cast listed alphabetically: | |||
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Sardar Akhtar | ... |
Singer
(as Begum Akhtar)
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Gangapada Basu | ... |
Mahim Ganguly
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Bismillah Khan | ... |
Musician
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Salamat Ali Khan | ... |
Khyal singer
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Waheed Khan | ... |
Ustad Ujir Khan
(as Ostad Wahed Khan)
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Roshan Kumari | ... |
Krishna Bai, dancer
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Tulsi Lahiri | ... |
Manager of Roy's Estate
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Tarapada Nandy |
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Padmadevi | ... |
Mahamaya, Roy's wife
(as Padma Devi)
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Kali Sarkar | ... |
Roy's Servant
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Pinaki Sengupta | ... |
Khoka, Roy's Son
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Biswambhar Roy is a zamindar (landlord) and the last of his kind. With the title, he has none of the perquisites, inheriting diminishing lands that are being eroded by the neighbouring river. But he must maintain the lifestyle of his heritage. This ostentation is most apparent in the grandest room of his mansion, the music room. Here he inports the finest musicians and dancers to perform, and invites the area's most important commoners. His wife's entreaties to control spending are ignored, and the puberty party he throws for his son bring him down to the last few sacks of family jewels. Then, struck by tragedy, he locks the music room and slips into lethargy - until a final grand soiree consumes the last of his funds. Written by Bruce Cameron <dumarest@midcoast.com>
Good heavens! This is about as far from Bollywood movies (cheesy musicals) as one could get. Jalsaghar is a poignant rendering of social transition at the personal level -- the indigent aristocrat whose delusive and self-destructive obsession with bringing his music room back to life shields him from the reality of his family's economic and social collapse, and indeed hastens it; the showy nouveau-riche neighbor who embodies the rise of a new social order based on economic achievement rather than aristocratic roots and inherited wealth. There are parallels to Chekhov and Faulkner (Snopeses and Sartorises). The black and white images (the white horse!) are stunning. I saw this film in the 1980s, and remember it more clearly than the movie I saw last night. It is truly a classic.