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The Music Room (1958)
"Jalsaghar" (original title)

 -  Drama | Music  -  1958 (India)
8.0
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Ratings: 8.0/10 from 2,377 users  
Reviews: 19 user | 58 critic

Biswambhar Roy is a zamindar (landlord) and the last of his kind. With the title, he has none of the perquisites, inheriting diminishing lands that are being eroded by the neighbouring ... See full summary »

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Cast

Complete credited cast:
Chhabi Biswas ...
Huzur Biswambhar Roy
Rest of cast listed alphabetically:
Sardar Akhtar ...
Singer (as Begum Akhtar)
Gangapada Basu ...
Mahim Ganguly
Bismillah Khan ...
Musician
Salamat Ali Khan ...
Khyal singer
Waheed Khan ...
Ustad Ujir Khan (as Ostad Wahed Khan)
Roshan Kumari ...
Krishna Bai, dancer
Tulsi Lahiri ...
Manager of Roy's Estate
Tarapada Nandy
Padmadevi ...
Mahamaya, Roy's wife (as Padma Devi)
Kali Sarkar ...
Roy's Servant
Pinaki Sengupta ...
Khoka, Roy's Son
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Storyline

Biswambhar Roy is a zamindar (landlord) and the last of his kind. With the title, he has none of the perquisites, inheriting diminishing lands that are being eroded by the neighbouring river. But he must maintain the lifestyle of his heritage. This ostentation is most apparent in the grandest room of his mansion, the music room. Here he inports the finest musicians and dancers to perform, and invites the area's most important commoners. His wife's entreaties to control spending are ignored, and the puberty party he throws for his son bring him down to the last few sacks of family jewels. Then, struck by tragedy, he locks the music room and slips into lethargy - until a final grand soiree consumes the last of his funds. Written by Bruce Cameron <dumarest@midcoast.com>

Plot Summary | Plot Synopsis

Genres:

Drama | Music

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1958 (India)  »

Also Known As:

Jalsaghar  »

Box Office

Gross:

$94,886 (USA)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Voted #20 on the list of "100 Best Films" by the prominent French magazine 'Cahiers du Cinema' in 2008. See more »

Connections

Referenced in The Darjeeling Limited (2007) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Mesmerized, entertained, and provoked
1 September 2001 | by (San Francisco, California) – See all my reviews

The film is a masterpiece, a definite 10. As with the Apu trilogy, I am mesmerized and absorbed by the pacing and drama of the film. Even though the film uses music, its appreciation, and its status as the vehicle for its themes, there is no (or very little?) background music for the spoken portions of the film. This provides not only realism, but sets off the intense and magnificent performance of the protagonist. There is also a great deal of entertainment in this film: the music performances are excellent. I wonder if Ray found the best musicians of the region and gave them roles as performers in the musical soirees: performers playing performers. I have the sense that there is very little artifice in the cinematography. That is, I feel that the filming techniques were not highly sophisticated. But the eye, the light, the composition are almost perfect. I think that the other commenter (the only other one!) stated the themes quite well for me. I would only one: the obsession and self-destructiveness that come with pride and jealousy of one's status.


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