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The Music Room
(1958)
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Title: The Music Room (1958)
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Cast
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Chhabi Biswas | ... |
Huzur Biswambhar Roy
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Sardar Akhtar | ... |
Singer
(as Begum Akhtar)
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Gangapada Basu | ... |
Mahim Ganguly
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Bismillah Khan | ... |
Musician
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Salamat Ali Khan | ... |
Khyal singer
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Waheed Khan | ... |
Ustad Ujir Khan
(as Ostad Wahed Khan)
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Roshan Kumari | ... |
Krishna Bai, dancer
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Tulsi Lahiri | ... |
Manager of Roy's Estate
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Tarapada Nandy |
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Padmadevi | ... |
Mahamaya, Roy's wife
(as Padma Devi)
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Kali Sarkar | ... |
Roy's Servant
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Pinaki Sengupta | ... |
Khoka, Roy's Son
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Plot Summary
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Plot Synopsis
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Storyline
Biswambhar Roy is a zamindar (landlord) and the last of his kind. With the title, he has none of the perquisites, inheriting diminishing lands that are being eroded by the neighbouring river. But he must maintain the lifestyle of his heritage. This ostentation is most apparent in the grandest room of his mansion, the music room. Here he inports the finest musicians and dancers to perform, and invites the area's most important commoners. His wife's entreaties to control spending are ignored, and the puberty party he throws for his son bring him down to the last few sacks of family jewels. Then, struck by tragedy, he locks the music room and slips into lethargy - until a final grand soiree consumes the last of his funds. Written by Bruce Cameron <dumarest@midcoast.com>
Plot Keywords:
landlord | chandelier | master servant relationship | class conflict | falling off horse |Parents Guide:
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Details
Country:
IndiaLanguage:
BengaliRelease Date:
1958 (India) See more »Also Known As:
The Music Room See more »Box Office
Gross:
$94,886 (USA)Company Credits
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In the fourth feature film directed by Satyajit Ray, Jalsaghar, we are treated to a magnificent spectacle of musical performances, Hindu dance, and a powerful film thrown some place in the mix. Jalsaghar tells the gloomy tale of a landlord living in Bengal whom has just lost his wife and beloved son in a horrid boating accident. The landlord, Roy (Chhabi Biswas), takes to a basic role of silence and mourning by spending his days sitting aside his hookah to pass the time. Biswas is exceptional in his performance of Roy by revealing a side to the character of near-perfect emptiness in a human being; he shows us what the empty body of a man can become.
The film is a decorative wonder to watch and hear to any degree. A graceful and vivid use of cinematography brings out the rich and sweeping palace in which Roy spends his time. Various close-ups of chandeliers and jewelry create a montage of empty wealth. Later on in the film when we are introduced to the many performances which will be carried out in the landlord's music room, the film comes full circle as an audio delight as well. Beautiful Hindu compositions are performed in full length throughout sweeping-music video like coverage scanning the pitch-perfect vocalists on to the unique Indian instruments tooting away. As the music grows to inspire Roy to overcome his grief, we grow along with Roy and feel the inspiration of the songs as well.
Despite its depressing subject matter, Jalsaghar is a great delight throughout its in entire runtime. Sympathizing with the victimized Roy as well as his loyal and motivational subjects, you will really overcome an exquisite experience as the characters try to pick Roy's spirits up through words, song, and dance. Overall this is a must-see film for anyone with a passion for film, music, or both although it is recommended you enter in good spirt.