| Photos (See all 22 | slideshow) |
| Cary Grant | ... | Philip Adams | |
| Ingrid Bergman | ... | Anna Kalman | |
| Cecil Parker | ... | Alfred Munson | |
| Phyllis Calvert | ... | Mrs. Margaret Munson | |
| David Kossoff | ... | Carl Banks | |
| Megs Jenkins | ... | Doris Banks | |
| rest of cast listed alphabetically: | |||
| Michael Anthony | ... | Oscar (uncredited) | |
| Martin Boddey | ... | Albert (uncredited) | |
| Diane Clare | ... | Bit Part (uncredited) | |
| David Coote | ... | Charles (uncredited) | |
| Robert Desmond | ... | Young Man (uncredited) | |
| Eric Francis | ... | Elevator Operator (uncredited) | |
| Frank Hawkins | ... | William (uncredited) | |
| Oliver Johnston | ... | Mr. Finleigh (uncredited) | |
| Richard Vernon | ... | Guide (uncredited) | |
| John Welsh | ... | Passport Official (uncredited) | |
| Middleton Woods | ... | Finleigh's Clerk (uncredited) | |
Directed by | |||
| Stanley Donen | |||
Writing credits | ||
| Norman Krasna | (screenplay) | |
| Norman Krasna | (play "Kind Sir") | |
Produced by | |||
| Stanley Donen | .... | producer | |
| Sydney Streeter | .... | associate producer | |
Original Music by | |||
| Richard Rodney Bennett | (as Richard Bennett) | ||
| Ken Jones | |||
Cinematography by | |||
| Freddie Young | (director of photography) (as Frederick A. Young) | ||
Film Editing by | |||
| Jack Harris | |||
Casting by | |||
| Robert Lennard | |||
Art Direction by | |||
| Donald M. Ashton | (as Don Ashton) | ||
Makeup Department | |||
| Joan Johnstone | .... | hair stylist | |
| John O'Gorman | .... | makeup artist | |
Production Management | |||
| Roy Parkinson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tom Pevsner | .... | assistant director | |
Art Department | |||
| John Graysmark | .... | set designer (uncredited) | |
Sound Department | |||
| Richard Bird | .... | sound recordist | |
| Winston Ryder | .... | sound editor | |
| Len Shilton | .... | sound recordist | |
Camera and Electrical Department | |||
| Robert Walker | .... | camera operator | |
| George Higgins | .... | still photographer (uncredited) | |
Editorial Department | |||
| Terry Rawlings | .... | assistant editor (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
Other crew | |||
| M.O. Greengross | .... | jewelry by | |
| Joshua Logan | .... | "Kind Sir" was produced on the stage by | |
| Maurice Binder | .... | title designer (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Ingrid's cooking skills | sharon-mckay |
| why call it 'indiscreet'? | karlweb2002 |
| Set Design | Noirfan55 |
| Cary Grant DANCING! | Sproketer |
| connection with charade | hasank |
| Phyllis Calvert | cinicapr |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
It is more than a little irritating that many men improve in looks with age but that only a few women do. Cary Grant, James Stewart, Paul Newman, Sean Connery, Gregory Peck and many other male movie stars ( not Clark Gable though) seem to develop more charm and sex appeal along with the wrinkles and grey hair. This preamble is by way of saying that Cary Grant is convincingly cast in 'Indiscreet' as a middle aged Romeo (he was 54) whereas the beautiful Ingrid Bergman is a tad too old at 43 to be playing the role of a beautiful theatrical star with whom Cary Grant falls instantly in love and gives up his bachelor life for. I could not help but compare 'Indiscreet ' with their last pairing together in 'Notorious' in 1946 twelve years earlier. Cary Grant is as suave, debonair and handsome as ever in 'Indiscreet '. Ingrid Bergman's beauty though, has by no means waned but rather matured into middle age - as well as becoming a size bigger. Or perhaps it is just that every movie star looks better in black and white.
No matter, it is still an endearing film with elegant sets and costumes. If only the comedy element had been played up more and the dewy romance element played down - in the style of the 1930s films such as 'My Favourite Wife' and 'The Awful Truth'. Cary Grant is at his supreme best in this type of comedy. The best part in 'Indiscreet' for me was the comedy scene when Cary Grant danced in a highland reel - it was hilarious. I am sure that with more emphasis on the comedy side and with better lines, Ingrid Bergman could have been a match for Irene Dunne or Rosalind Russell.
Don't let my comments put you off. Any film starring these two incomparable and much loved stars is worth a watch.