6.2/10
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8 user 6 critic

In Love and War (1958)

In 1944, the family lives of three San Francisco Marines are affected by their personal experiences on the front lines in the Pacific and vice-versa.

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Writers:

(screenplay), (based on a novel by)
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Won 1 Golden Globe. See more awards »

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Cast

Credited cast:
...
Frank "Frankie" O'Neill
...
Sue Trumbell
...
Sgt. Nico Kantaylis
...
Andrea Lenaine Kantaylis
...
Alan Newcombe
...
Lorraine
...
Kalai Ducanne
...
Danny Krieger
Steven Gant ...
Babe Ricarno
Harvey Stephens ...
Amory Newcombe
Paul Comi ...
Father Wallensack
Joe Di Reda ...
Capistron
Buck Class ...
Derek
Rest of cast listed alphabetically:
...
Professor D. Everett Styles (scenes deleted)
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Storyline

Three Marines take shore leave in San Francisco during World War II. Frankie O'Neill visits his lower-class dysfunctional family; Nico Kantaylis visits his pregnant fiancée; and the upper-class Alan Newcombe visits his high-living playgirl girlfriend. Each must decide whether to make the best of his situation or break out of it. O'Neill drowns his troubles in alcohol, losing the respect of a potential lover; Kantaylis marries his fiancée, but realizes he may not survive the war to see his child; while Newcombe sheds his decadent girlfriend for a pure-hearted Hawaiian nurse. Later, in battle, a heroic act costs one of the Marines his life. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

THE ONE TRULY GREAT STORY OF THE U.S. MARINES! (original print ad - all caps)

Genres:

Drama | War

Certificate:

See all certifications »
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Details

Country:

Language:

Release Date:

31 October 1958 (USA)  »

Also Known As:

The Big War  »

Box Office

Budget:

$1,590,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(DeLuxe)|

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Hugo Friedhofer's title theme from The Revolt of Mamie Stover (1956), another Fox film set in WWII, is used in the scenes between Bradford Dillman and Dana Wynter. See more »

Goofs

In this story set in WW2 the women all wear hairstyles of the 1950s, and all their clothes are strictly 1958 styles. See more »

Quotes

Lorraine: I'm sick and tired of wasting my time on a guy whose idea of life is two beers and a bowling alley.
See more »

Connections

Referenced in What's My Line?: Episode dated 2 November 1958 (1958) See more »

Soundtracks

Blue Moon
(uncredited)
Music by Richard Rodgers
Played when Frankie is calling on the pay phone
See more »

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User Reviews

 
A Turgid Platform for Younger Actors
23 February 2015 | by (Claremont,USA) – See all my reviews

The story follows three marines, and their girls, from home leave to combat in the Pacific.

The movie's very much a mixed package. With a couple exceptions, war films of the 1950's shied away from combat realism, whose trauma might easily overwhelm audiences. The second half of this war film does a pretty good job portraying the so-called fog of war, along with perfectly natural emotional and physical reactions to combat death. These scenes are done on exterior sets and are uglified to maximal extent. Such grim scenes are then intercut with sunny scenes in San Francisco, done in glowing candy box colors. The resulting contrast is appropriately jolting, to say the least, and leaves no doubt that between "love" and "war", which is to be preferred.

The trouble lies with a swollen narrative that is too conventional in the "Love" part. It also shows what happens when a big studio, TCF, decides to promote a younger cast into possible stardom. Everybody—about the top seven in the cast list—gets cameo screen time, in the film's first half, especially. This draws out the runtime, and coupled with a conventional script, tends to drag out the first part, long after we've gotten the idea. The actors perform well enough, though O'Neill's (Wagner) drunken binge is over the top, maybe the only time in the actor's generally restrained career. Note, in passing, the post-war symbolism of pairing Newcombe (Dillman) with Kalai (Nuyen).

All in all, the movie's a good look at how Hollywood shaped WWII to commercial needs of the big screen. But is otherwise forgettable.


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