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The Idiot (1958)
"Idiot" (original title)

 -  Drama  -  21 July 1960 (USA)
7.7
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Ratings: 7.7/10 from 262 users  
Reviews: 3 user

Upon Prince Myshkin's return to St. Petersburg from an asylum in Switzerland, he becomes beguiled by the lovely young Aglaya, daughter of a wealthy father. But his deepest emotion is for ... See full summary »

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Cast

Complete credited cast:
Yuriy Yakovlev ...
Yuliya Borisova ...
Nikita Podgorny ...
Vera Pashennaya ...
General's wife
Nikolai Pazhitnov ...
General Yepanchin (as N.Pazhitnov)
Sergei Martinson ...
Leonid Parkhomenko ...
Emmanuil Geller
Raisa Maksimova ...
Aglaya Yepanchina (as Raya Maksimova)
Vladimir Muravev ...
Ferdishchenko (as V. Muravyov)
Ivan Lyubeznov ...
General Ivolgin (as I. Lyubeznov)
Grigoriy Shpigel
Rest of cast listed alphabetically:
Olesya Ivanova ...
Klavdiya Polovikova ...
P. Strelin ...
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Storyline

Upon Prince Myshkin's return to St. Petersburg from an asylum in Switzerland, he becomes beguiled by the lovely young Aglaya, daughter of a wealthy father. But his deepest emotion is for the wanton, Nastasia. The choices all are forced to make lead to great tragedy. Written by Jim Beaver <jumblejim@prodigy.net>

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Drama

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21 July 1960 (USA)  »

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The Idiot  »

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(Sovcolor)
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Connections

Version of The Idiot Returns (1999) See more »

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User Reviews

Best Dostoevsky Adaptation Ever
3 September 2011 | by (United States) – See all my reviews

This is how Dostoevsky adaptations need to be, and hardly ever are. 1) Everyone needs to act like they're on crack all the time, 2) It needs to be either snowing or 100 degrees all the time, and 3) Everyone's eyes have to be crazy.

This film meets all those requirements, and it's the only one that does. Although the second part was never made, the first part is worth watching and re-watching. The crazy Soviet montages, the crazy eyes, the red velvet everywhere, the lighting from beneath that makes everyone look like they're in hell...it's brilliant.

The soundtrack is gorgeous. I wish I could find it on mp3. And when one character says to another: "What's wrong with your face?" the face in question is worth the entire film. And it's pure Dostoevsky. HUZZAH for this film.


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