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Hell, Heaven or Hoboken (1958)

I Was Monty's Double (original title)
During WW2, a British actor impersonates Field Marshal Montgomery in order to confuse German intelligence.



(screenplay), (book)
1 nomination. See more awards »
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Cast overview, first billed only:
Major Harvey
Cecil Parker ...
Col. Logan
Patrick Allen ...
Col. Mathers
Col. Dawson
Major Tennant
Governor of Gibraltar
Marius Goring ...
Barbara Hicks ...
Duncan Lamont ...
Wing Cdr. Bates
Anthony Sagar ...
Guard Sergeant (Villa)
John Gale ...
Flight Lt. Osborne
Kenneth J. Warren ...
F / O Davies (as Kenneth Warren)
Sgt. Adams
Sidney James ...
Porter Y.M.C.A.
Brian Weske ...
Despatch Rider


The true story of how an impersonator was recruited to impersonate Field Marshal Bernard L. Montgomery to mislead the Germans about his intentions before the Normandy campaign. Written by Steve Crook <steve@brainstorm.co.uk>

Plot Summary | Add Synopsis


The Gigantic Hoax of World War II


Drama | History | War


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Release Date:

6 February 1959 (Ireland)  »

Also Known As:

Hell, Heaven or Hoboken  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(RCA Sound Recording)

Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The screenplay omits David Niven's part in the real operation - it was he, working for the Army's film unit as a Lieutenant-Colonel, who first made contact with M.E. Clifton James. His role is taken in the film by Major Harvey. See more »


A match is struck to light up the guardroom. It stays alight for almost 20 seconds and barely burns down at all. See more »


[A civilian has just bumped into Clifton-James outside a cinema]
Civilian: Who do you think you are?
[Storms off]
Maj. Harvey: Yes, who do you think you are? Monty?
See more »

Crazy Credits

Opening credits prologue: THE SOUTH COAST, ENGLAND. SPRING 1944 See more »


Referenced in Twilight's Last Gleaming (1977) See more »

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User Reviews

Modest hero
5 January 2014 | by (United Kingdom) – See all my reviews

At the fag-end of the 50's, a generation of long-demobbed soldiers were still trying to cut it in uniform, in a spate of cheap black-and-white war films. More convincing than most was the unknown star of this true story, a minor Australian actor who had been rejected by the entertainment services, and was reluctantly pen-pushing in the pay office, when someone noticed that he was a dead ringer for Montgomery.

This was in the run-up to D-Day, when the allies were desperate to draw enemy attention away from Normandy as the obvious invasion zone. Might a Monty-lookalike be able to fool German intelligence by touring North Africa, as though preparing for a big Mediterranean landing instead?

The actor in question, M.E. Clifton James, is secretly employed as a driver on Monty's staff, in order to get close enough to study his speech and mannerisms. But he doubts his own ability to replicate the character and personality of the great man, not least because 'Jimmy' is a chain-smoking alcoholic. Eventually, jolly optimist John Mills persuades him to go through with it, and suddenly he's stepping off a plane in Gibraltar, under scrutiny from enemy agents (one of them brilliantly sinister, as played by Marius Goring), as well as certain officers who remember Monty from before the war.

Defying many attempts on his life, Jimmy overcomes his desperate shyness, and learns to take massed salutes from whole armies. Then all too soon, D-Day has come and gone, his one brief star-performance is over, and it's back to the humble pay office. Except... they felt it necessary to bolt-on a false ending, about which we can reveal nothing, except that it never happened.

As for the real-life outcome, we have to face the disappointing fact that it was only part of a much larger decoy operation, which did throw the enemy into some confusion, but reports of Jimmy's own effort reaching Hitler's desk seem to be wishful thinking.

The film displays some recognisable weaknesses of those low-budget productions. The over-long opening section is taken up with John Mills' various flirtations, whose only consequence for the story is that his humourless boss (Cecil Parker) decides to replace their seductive secretary with the ugly-beautiful Barbara Hicks, in some ways more arresting. And the way Mills and Parker chat freely in public about top secret plans will grate on the ear of anyone who has worked in intelligence. No war-film of its day was complete without the stuffed-shirt spoilsport Allan Cuthbertson, who duly pops-up here, as does the perennial plug-ugly sergeant Anthony Sagar. Jimmy's one meeting with Monty is awkwardly dodged; we simply cut away from him on the steps of the general's caravan, although split-screen techniques had long since enabled an actor to shake hands with his own double (try the 1937 'Prisoner of Zenda').

None of this really detracts from the joy of the film, principally the deeply-believable performance of a professional actor, acting himself acting Monty. Sympathy and charm shine through this modest man, who seems to have been shabbily treated after the war, when he was reduced to the dole. Hopefully this popular film brought a little benison for the five short years that remained to him.

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