IMDb > I Married a Monster from Outer Space (1958)
I Married a Monster from Outer Space
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I Married a Monster from Outer Space (1958) More at IMDbPro »

Videos
I Married a Monster from Outer Space -- Aliens from Outer Space are slowly switching places with real humans -- one of the first being a young man about to get married. Slowly, his new wife realizes something is wrong, and her suspicions are confirmed when her husband's odd behavior begins to show up in other townspeople.

Overview

User Rating:
6.4/10   1,785 votes »
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Director:
Writer:
Louis Vittes (written by)
Contact:
View company contact information for I Married a Monster from Outer Space on IMDbPro.
Release Date:
October 1958 (USA) See more »
Genre:
Tagline:
The bride wore terror! See more »
Plot:
In Norrisville, Bill Farrell leaves his bachelor party on the eve of his marriage with Marge Bradley... See more » | Full synopsis »
Plot Keywords:
NewsDesk:
(9 articles)
User Reviews:
Better Than Average 50's Sci-Fi Flick See more (48 total) »

Cast

  (in credits order) (verified as complete)

Tom Tryon ... Bill Farrell
Gloria Talbott ... Marge Bradley Farrell
Peter Baldwin ... Officer Hank Swanson
Robert Ivers ... Harry Phillips
Chuck Wassil ... Ted Hanks
Valerie Allen ... Francine - Hooker

Ty Hardin ... Mac Brody (as Ty Hungerford)

Ken Lynch ... Dr. Wayne
John Eldredge ... Police Capt. H.B. Collins
Alan Dexter ... Sam Benson
James Anderson ... Weldon
Jean Carson ... Helen Rhodes
Jack Orrison ... Officer Schultz

Steve London ... Charles Mason
Max 'Slapsie Maxie' Rosenbloom ... Max Grady - Bartender (as Maxie Rosenbloom)
rest of cast listed alphabetically:
Tony Di Milo ... Mr. Potter - Western Union Clerk (uncredited)
Darlene Fields ... Caroline Hanks (uncredited)
Bess Flowers ... Wedding Guest (uncredited)
Charles Gemora ... Alien (uncredited)
Helen Jay ... Second Girl (uncredited)
Arthur Lovejoy ... Minister (uncredited)
Ralph Manza ... Ralph the Waiter (uncredited)
Harold Miller ... Wedding Guest (uncredited)
Sherry Staiger ... First Girl (uncredited)
Mary Treen ... Mother Bradley (uncredited)

Directed by
Gene Fowler Jr. 
 
Writing credits
Louis Vittes (written by)

Produced by
Gene Fowler Jr. .... producer
 
Cinematography by
Haskell B. Boggs (director of photography) (as Haskell Boggs)
 
Film Editing by
George Tomasini 
 
Casting by
Bert McKay (uncredited)
 
Art Direction by
Henry Bumstead 
Hal Pereira 
 
Set Decoration by
Robert R. Benton  (as Robert Benton)
Sam Comer 
 
Makeup Department
Nellie Manley .... hair style supervisor
Wally Westmore .... makeup supervisor
Dean Cole .... hairdresser (uncredited)
Charles Gemora .... makeup artist (uncredited)
 
Production Management
Frank Caffey .... production manager (uncredited)
Curtis Mick .... assistant production manager (uncredited)
Don Robb .... unit production manager (uncredited)
 
Second Unit Director or Assistant Director
William Mull .... assistant director
Bud Brill .... second assistant director (uncredited)
 
Art Department
Carl Coleman .... props (uncredited)
Jim Cottrell .... props (uncredited)
 
Sound Department
Charles Grenzbach .... sound recordist
Philip Wisdom .... sound recordist (as Phil Wisdom)
Jim Miller .... sound recordist (uncredited)
Bob Simpson .... sound boom (uncredited)
Ted Wasserman .... sound cableman (uncredited)
 
Visual Effects by
John P. Fulton .... special photographic effects
 
Camera and Electrical Department
Howard Kelly .... gaffer (uncredited)
Kenneth Meade .... camera operator (uncredited)
Glen E. Richardson .... still photographer (uncredited)
Joe Schuster .... best boy (uncredited)
Mike Semenario .... grip (uncredited)
Darrell Turnmire .... company grip (uncredited)
Paul Weddell .... assistant camera (uncredited)
 
Casting Department
Olive Long .... secretary: casting director (uncredited)
 
Costume and Wardrobe Department
Hazel Hegarty .... costumes: women (uncredited)
John Noble .... costumes: men (uncredited)
 
Music Department
Daniele Amfitheatrof .... composer: stock music (uncredited)
Hugo Friedhofer .... composer: stock music (uncredited)
Leith Stevens .... composer: stock music (uncredited)
Franz Waxman .... composer: stock music (uncredited)
Victor Young .... composer: stock music (uncredited)
 
Other crew
Bill Cunningham .... publicist (uncredited)
Al Peterson .... craft service (uncredited)
Dorothy Yutzi .... script supervisor (uncredited)
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
78 min
Country:
Language:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (Westrex Recording System)
Certification:
Finland:(Banned) (1959) | Sweden:15 | USA:Not Rated (DVD Rating) | USA:Approved (certificate #19050)

Did You Know?

Trivia:
Near the end of the film (a Paramount production) take a good look at the hand weapon the Aliens are using. It looks remarkably like the one the Klingons used on the original "Star Trek" (1966), minus the longer barrel. Coincidence or reuse of props?See more »
Goofs:
Boom mic visible: After the newlyweds depart the church, they are driving down a country road. Just as they are about to pass a mysterious alien figure, the shadow of a boom mic can be briefly seen on the road as the camera traverses with the motion of the vehicle.See more »
Quotes:
[first lines]
Woman in Bar:Those guys ain't even giving us a hard look.
See more »
Movie Connections:
Featured in 100 Years of Horror: Aliens (1996) (V)See more »

FAQ

This FAQ is empty. Add the first question.
21 out of 23 people found the following review useful.
Better Than Average 50's Sci-Fi Flick, 10 February 2005
Author: Brian Washington (Sargebri@att.net) from Los Angeles, California

This has to definitely be one of the better science fiction films of the mid to late 1950's. The only thing that hurts this film is the lousy title. The thing that really impressed me about it is the fact that this film isn't a typical B-movie. In fact, this film gives you a very thought provoking story as well as what another person said, a kind of poignancy that you never would expect from this type of film. In fact, you pretty much feel that towards the end of the film that Marge is actually falling for the alien posing as her beloved Bill. Also, you pretty much feel sorry for the impostor at the end as he is beginning to experience the emotions that he never had, especially love. Unfortunately, the film is undone by its typically lousy 1950's B-movie title. However, once you look past the title and look at how good the story is, you will see that this film is a pretty decent film.

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