IMDb > How to Make a Monster (1958)
How to Make a Monster
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How to Make a Monster (1958) More at IMDbPro »


Overview

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Director:
Writers:
Aben Kandel (original story) and
Herman Cohen (original story) ...
(more)
Contact:
View company contact information for How to Make a Monster on IMDbPro.
Release Date:
1 July 1958 (USA) See more »
Genre:
Tagline:
See the Ghastly Ghouls in Flaming Color! See more »
Plot:
When master monster make-up man Pete is sacked by the new bosses of American International studios he uses his creations to exact revenge. Full summary » | Full synopsis »
Plot Keywords:
User Reviews:
How To Make A Nice Movie! See more (23 total) »

Cast

  (in credits order) (verified as complete)
Robert H. Harris ... Pete Dumond

Paul Brinegar ... Rivero
Gary Conway ... Tony Mantell (Teenage Frankenstein)
Gary Clarke ... Larry Drake (Teenage Werewolf)

Malcolm Atterbury ... Security Guard Richards
Dennis Cross ... Security Guard Monahan
Morris Ankrum ... Police Capt. Hancock
Walter Reed ... Detective Thompson
Paul Maxwell ... Jeffrey Clayton
Eddie Marr ... John Nixon
Heather Ames ... Arlene Dow
Robert Shayne ... Gary Droz
Rod Dana ... Lab Technician
Jacqueline Ebeier ... Jane
Thomas Browne Henry ... Martin Brace - director of 'Werewolf Meets Frankenstein'
John Phillips ... Detective Jones
Paulene Myers ... Millie - the pedestrian
John Ashley ... Himself
rest of cast listed alphabetically:
Herman Cohen ... Banks - Director in Projection Room (uncredited)
Frank Richards ... Studio Groundskeeper (uncredited)

Directed by
Herbert L. Strock 
 
Writing credits
Aben Kandel (original story) (as Kenneth Langtry) and
Herman Cohen (original story)

Aben Kandel (screenplay) (as Kenneth Langtry) and
Herman Cohen (screenplay)

Produced by
Herman Cohen .... producer
James H. Nicholson .... executive producer
 
Original Music by
Paul Dunlap 
 
Cinematography by
Maury Gertsman (director of photography) (as Maury Gertzman)
 
Art Direction by
A. Leslie Thomas  (as Leslie Thomas)
 
Set Decoration by
Morris Hoffman 
 
Makeup Department
Phillip Scheer .... makeup artist (as Philip Scheer)
 
Production Management
Herbert E. Mendelson .... production manager (as Herb Mendelson)
 
Second Unit Director or Assistant Director
Herbert E. Mendelson .... assistant director (as Herb Mendelson)
 
Art Department
Sam Gordon .... property master
 
Sound Department
Verna Fields .... sound effects editor
Herman Lewis .... sound
 
Costume and Wardrobe Department
Oscar Rodriguez .... wardrobe
 
Editorial Department
Jerry Young .... editorial supervisor
 
Music Department
George Brand .... music editor
Paul Dunlap .... conductor
 
Other crew
Mary Gibsone .... script supervisor
Lee Scott .... choreographer
Barbara Lee Strite .... production secretary
Paul Blaisdell .... monster suits (uncredited)
 

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Additional Details

Also Known As:
Runtime:
73 min
Country:
Language:
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Mono (Ryder Sound Services)

Did You Know?

Trivia:
In one scene the visitors to the studio are told that they are going to be taken to the set of Horrors of the Black Museum (1959). This was an advanced plug for what would be the next film to be produced and written by Herman Cohen.See more »
Goofs:
Factual errors: The visitors to the studio are told they are about to visit the set of Horrors of the Black Museum (1959). That film, which was also produced and written by Herman Cohen, was actually shot in England, not at the U.S. studio.See more »
Quotes:
Pete Dumond:[Trying to justify horror films] Why, even psychiatrists say that in all these monster pictures there's not only entertainment, but for some people there's therapy. Well, you know, we never get over our childhood fears of the sinister - those terrifying faces we see in our nightmares. Well, through these pictures we can live out our hidden fears. It helps.See more »
Movie Connections:
Soundtrack:
You've Got to Have Ee-OooSee more »

FAQ

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7 out of 7 people found the following review useful.
How To Make A Nice Movie!, 15 August 2003
Author: rudystevens422 from PA. Home Of The Blob

Contains spoilers a wonderful Herman Cohen production, and his third film with talented director Herbert L. Strock. This film is a lot of fun, and is very entertaining! Director Strock keeps things moving at a fast pace! And it is a pure delight! Music and story line are excellent and so is the fine cinematography! Robert H. Harris stars as makeup man Pete Dumont, the new owners are taking over the studio, that Pete works for,(American International). Monster makeup man Pete is given the pink slip, as they no longer need his services, because monster movies are out and musicals are in! The egotistical studio executives treat Pete with heartless abandonment! Harris excels in his role as the psychotic Pete Dumont! He begins to lose his mind, and becomes a homicidal maniac,as he methodically kills all who are in his way, one by one! He also does it with the aid of his mesmerizing makeup. Pete tries to bring two young actors, into his madness, and succeeds through the aid of his makeup he uses on them, they become assassins! The young actors are Gary Conway, and Gary Clarke, as Tony and Larry, the teenage Frankenstein, and the teenage werewolf. Tony and Larry are not cognitive of the murders they commit afterwards, while under the influence of the mind controlling drug, that Pete has introduced to his makeup formula! The local police are baffled as dead studio executives start showing up all around the studio! Even a studio guard, is beaten to a pulp by Pete who is in monster makeup, after he starts to ask Pete one question too many! The police captain played by the well liked veteran fifties Si Fi actor, Morris Ankrum. Also in the cast is another Si Fi great Thomas B. Henry (The Brain From Planet Arous) (Twenty Million Miles To Earth) many others, he plays a studio director. One memorable scene shows Gary Clarke in full teenage werewolf makeup, as he throttles a studio executive, while spittle runs down his mouth! Another scene has the powerfully built Conway hiding in a executive's garage as the teenage Frankenstein, he proceeds to break the back of the smart aleck executive. Gary Conway and Gary Clarke are two excellent actors and they do well in this film. The ending is a gem, as Pete by this time is a raving lunatic! After he kills his assistant (Paul Brinegar) with a large ceremonial knife, he then attempts to separate the boys heads from their bodies and add them to his monster collection on his wall! Tony and Larry don't like the idea of decapitation, and try to escape. A fire breaks out and the whole place starts going up in flames! Tony and Larry get out, but Pete is left standing in the middle of the flames screaming about the destruction of his children! The climax turns to color. On the wall of the makeup man's house are some of monster maker Paul Blaisdell's finest creations! This film is just as entertaining as another Herman Cohen and Herbert L. Strock collaboration, (I Was A Teenage Frankenstein) also for American International Pictures. Under the excellent direction of Herbert L. Strock this movie works. Strock also also directed one of the best science fiction movies of the fifties (The Magnetic Monster), for United Artists, when he was called in to replace the first director. Both films are highly recommended!

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Was the central character inspired by Jack P. Pierce? mgconlan-1
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