| Robert H. Harris | ... | Pete Dumond | |
| Paul Brinegar | ... | Rivero | |
| Gary Conway | ... | Tony Mantell (Teenage Frankenstein) | |
| Gary Clarke | ... | Larry Drake (Teenage Werewolf) | |
| Malcolm Atterbury | ... | Security Guard Richards | |
| Dennis Cross | ... | Security Guard Monahan | |
| Morris Ankrum | ... | Police Capt. Hancock | |
| Walter Reed | ... | Detective Thompson | |
| Paul Maxwell | ... | Jeffrey Clayton | |
| Eddie Marr | ... | John Nixon | |
| Heather Ames | ... | Arlene Dow | |
| Robert Shayne | ... | Gary Droz | |
| Rod Dana | ... | Lab Technician | |
| Jacqueline Ebeier | ... | Jane | |
| Joan Chandler | ... | Marilyn | |
| Thomas Browne Henry | ... | Martin Brace - director of 'Werewolf Meets Frankenstein' | |
| John Phillips | ... | Detective Jones | |
| Paulene Myers | ... | Millie, the pedestrian | |
| John Ashley | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Herman Cohen | ... | Banks, Director in Projection Room (uncredited) | |
| Frank Richards | ... | Studio Groundskeeper (uncredited) | |
Directed by | |||
| Herbert L. Strock | |||
Writing credits | ||
| Aben Kandel | (original story) (as Kenneth Langtry) and | |
| Herman Cohen | (original story) | |
| Aben Kandel | (screenplay) (as Kenneth Langtry) and | |
| Herman Cohen | (screenplay) | |
Produced by | |||
| Herman Cohen | .... | producer | |
| James H. Nicholson | .... | executive producer | |
Original Music by | |||
| Paul Dunlap | |||
Cinematography by | |||
| Maury Gertsman | (as Maury Gertzman) | ||
Film Editing by | |||
| Jerry Young | |||
Art Direction by | |||
| A. Leslie Thomas | (as Leslie Thomas) | ||
Set Decoration by | |||
| Morris Hoffman | |||
Makeup Department | |||
| Phillip Scheer | .... | makeup artist (as Philip Scheer) | |
Production Management | |||
| Herbert E. Mendelson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Herbert E. Mendelson | .... | assistant director (as Herb Mendelson) | |
Art Department | |||
| Sam Gordon | .... | property master | |
Sound Department | |||
| Verna Fields | .... | sound effects editor | |
| Herman Lewis | .... | sound supervisor | |
Costume and Wardrobe Department | |||
| Oscar Rodriguez | .... | wardrobe supervisor | |
Music Department | |||
| George Brand | .... | music editor | |
| Paul Dunlap | .... | conductor | |
Other crew | |||
| Mary Gibsone | .... | script supervisor | |
| Lee Scott | .... | choreographer | |
| Barbara Lee Strite | .... | production secretary | |
| Paul Blaisdell | .... | monster suits (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Was the central character inspired by Jack P. Pierce? | mgconlan-1 |
| So what happens to the kids? | leroykevin |
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| The Evil of Frankenstein | Federal Agents vs. Underworld, Inc. | The Invisible Monster | They Came from Hell | The Plague of the Zombies |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Amusing third sequel to "I Was a Teenage Werewolf" combines the Teenage Werewolf and Teenage Frankenstein. Under fear of termination, a film studio makeup wizard (possibly modelled on one of the family Westmore?) applies "a special fixing agent" to his teenage actor's monster makeup that turns them into real monsters. Given such an unusual, original premise, the results of the film are not too disappointing: several brutal killings, lots of monsters, and even John Ashley's B-grade Elvis impersonation (surely done for laughs, let's hope). the film supposes the existence of "American International Studios" -- a nice thought, but filmmaking had already changed a lot, and AIP was never able to rent a steady digs, so this one just has to stay a fantasy. Did anyone else notice how heavily homoerotic the makeup guy's relationship to the boys was? He always called them "my boys" and talked at one point about having them "in his hands". Plus, note their uncomfortable reaction when he wants them to come to his house for some drinks. Funny stuff, certainly holding up to Herman Cohen's other AIP productions, which were among their best early efforts.