Gor, a powerful criminal brain from the planet Arous, assumes the body of scientist Steve March. Through March, he begins to control the world by threatening destruction to any country ... See full summary »
Accomplished but eccentric movie make-up artist Pete Dumond has been with the studio for decades and is totally devoted to his art especially in the creation of screen monsters. His world ends abruptly when new management acquires the company and arbitrarily decides that the horror cycle has run its course, and the studio will now concentrate on escapist musicals. When Dumond hears he will be pink-slipped, the neurotic but usually affable Pete turns psychotic and vows vengeance on the two movie executives responsible. Using a combination of hypnosis and a newly developed chemical formula, Dumond is able to use mind control to compel the young actors playing the teenage Frankenstein and werewolf to exact vengeance for him. Written by
Just remember, an artist must have no fear. Why, a creation is almost a sacred thing - all creations! The Good Lord created saints, and he also created sinners. He created the lamb and the fawn, but He also created the wolf and the jackal. Who can judge which is the most praiseworthy?
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Contains spoilers a wonderful Herman Cohen production, and his third film with talented director Herbert L. Strock. This film is a lot of fun, and is very entertaining! Director Strock keeps things moving at a fast pace! And it is a pure delight! Music and story line are excellent and so is the fine cinematography! Robert H. Harris stars as makeup man Pete Dumont, the new owners are taking over the studio, that Pete works for,(American International). Monster makeup man Pete is given the pink slip, as they no longer need his services, because monster movies are out and musicals are in! The egotistical studio executives treat Pete with heartless abandonment! Harris excels in his role as the psychotic Pete Dumont! He begins to lose his mind, and becomes a homicidal maniac,as he methodically kills all who are in his way, one by one! He also does it with the aid of his mesmerizing makeup. Pete tries to bring two young actors, into his madness, and succeeds through the aid of his makeup he uses on them, they become assassins! The young actors are Gary Conway, and Gary Clarke, as Tony and Larry, the teenage Frankenstein, and the teenage werewolf. Tony and Larry are not cognitive of the murders they commit afterwards, while under the influence of the mind controlling drug, that Pete has introduced to his makeup formula! The local police are baffled as dead studio executives start showing up all around the studio! Even a studio guard, is beaten to a pulp by Pete who is in monster makeup, after he starts to ask Pete one question too many! The police captain played by the well liked veteran fifties Si Fi actor, Morris Ankrum. Also in the cast is another Si Fi great Thomas B. Henry (The Brain From Planet Arous) (Twenty Million Miles To Earth) many others, he plays a studio director. One memorable scene shows Gary Clarke in full teenage werewolf makeup, as he throttles a studio executive, while spittle runs down his mouth! Another scene has the powerfully built Conway hiding in a executive's garage as the teenage Frankenstein, he proceeds to break the back of the smart aleck executive. Gary Conway and Gary Clarke are two excellent actors and they do well in this film. The ending is a gem, as Pete by this time is a raving lunatic! After he kills his assistant (Paul Brinegar) with a large ceremonial knife, he then attempts to separate the boys heads from their bodies and add them to his monster collection on his wall! Tony and Larry don't like the idea of decapitation, and try to escape. A fire breaks out and the whole place starts going up in flames! Tony and Larry get out, but Pete is left standing in the middle of the flames screaming about the destruction of his children! The climax turns to color. On the wall of the makeup man's house are some of monster maker Paul Blaisdell's finest creations! This film is just as entertaining as another Herman Cohen and Herbert L. Strock collaboration, (I Was A Teenage Frankenstein) also for American International Pictures. Under the excellent direction of Herbert L. Strock this movie works. Strock also also directed one of the best science fiction movies of the fifties (The Magnetic Monster), for United Artists, when he was called in to replace the first director. Both films are highly recommended!
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