Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry... See full summary »
Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teen-age daughter, get fixed up. They start dating and decide to get married. They're not prepared for the hostile ... See full summary »
"Cheaper By the Dozen", based on the real-life story of the Gilbreth family, follows them from Providence, Rhode Island to Montclair, New Jersey, and details the amusing anecdotes found in ... See full summary »
When a widower with 10 children marries a widow with 8, can the 20 of them ever come together as one big happy family? From finding a house big enough for all of them and learning to make ... See full summary »
Shirley Temple's father, a rebel officer, sneaks back to his rundown plantation to see his family and is arrested. A Yankee takes pity and sets up an escape. Everyone is captured and the ... See full summary »
This was Jerry Lewis' answer to the classic Cinderella story. When his father dies, poor Fella is left at the mercy of his snobbish stepmother and her two no-good sons, Maximilian and ... See full summary »
Tom Winters, a widower, is trying to understand and raise three precocious children alone. He gets a little unexpected help from Cinzia, when the children decide she is be the new maid. She is actually an Italian socialite who is trying to get away from her overprotective father. Written by
Brian W Martz <B.Martz@Genie.com>
All three child actors end up together again as adults under Paul Peterson's "A Minor Consideration," a business helping exploited Hollywood children cope and find support, both financially and emotionally. See more »
When Tom comes outside after hurriedly dressing to discover the houseboat has broken loose, his shirt is unbuttoned to his waist. In the following shot a split-second later his shirt is completely buttoned all the way up to his collar. See more »
Warm, with a witty Cary Grant and stiff Sofia Loren...and a forced plot
It's crazy to write a review of a movie this old, with two legends, as if I have anything new to say. But that's exactly why it's worth my while. I watched it as a "Cary Grant movie" which is a category like a "Greta Garbo movie." And he's good, though there are no real sparks on screen between him and Sofia Loren, a substitute for Grant's wife of the moment, who wrote the original script. I think it ends up just a match of two screen beauties. The 1958 public liked it, at least.
It's weird how old Loren looks hereshe's playing a 22 year old (she's 24 during the shoot), but her whole demeanor and hairstyle scream 30 or 40. Weird, because she's supposed to be a wild kid that her dad can't control. This matters because Grant plays an older manan older father of three whose wife has died and who really needs a nanny. Loren's character becomes the nanny even though she's from a privileged family, mostly as an escape. Famously, Grant had been trying to woo Loren for months during their previous film, and he may or may not have gotten anywhere, but by this filming she made clear she wasn't interested, and even got married (to Carlo Ponti) while this one was being shot.
The plot is fun but the film is a bit plasticky. It's not as funny or clever as the old screwball days. Or as fast. The three kids are fine but barelyno great acting here, and no great direction either. Oh yeah, the directorMelville Shavelsonis not making the most of his material. He's more of a screenwriter (he co-wrote this) and there are some great lines. The direction is routine, however, which is a shame, because some scenes are clunky and others play out as if the script would do all the work.
Even the cinematography is merely adequate, though the sets and setting are great so you might not notice. The idea of using a houseboat (a real one in Maryland) is a great money saving device, no doubt, and it gives everything an offbeat air.
So it's all enjoyable if nothing remarkable, more or less typical of this low point in Hollywood movie-making. The best here is Grant, who still throws his classic one-liners off as if they were his. Too bad they echo out of sync with the rest of the cast.
1 of 1 people found this review helpful.
Was this review helpful to you?