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House on Haunted Hill (1959)

 -  Horror  -  17 February 1959 (USA)
6.8
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Ratings: 6.8/10 from 10,021 users  
Reviews: 182 user | 93 critic

Eccentric millionaire Fredrick Loren and his 4th wife, Annabelle, have invited 5 people to the house on Haunted Hill for a "haunted House" party. Whoever will stay in the house for one ... See full summary »

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Title: House on Haunted Hill (1959)

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Cast

Complete credited cast:
...
Carol Ohmart ...
...
Alan Marshal ...
Carolyn Craig ...
...
Watson Pritchard (as Elisha Cook)
Julie Mitchum ...
Leona Anderson ...
Mrs. Slydes
Howard Hoffman ...
Jonas
Skeleton ...
Himself
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Storyline

Eccentric millionaire Fredrick Loren and his 4th wife, Annabelle, have invited 5 people to the house on Haunted Hill for a "haunted House" party. Whoever will stay in the house for one night will earn ten thousand dollars each. As the night progresses, all the guests are trapped inside the house with ghosts, murderers, and other terrors. Written by Tony Mayer <tones120c@aol.com>

Plot Summary | Plot Synopsis

Taglines:

The 13 Greatest SHOCKS ever seen! See more »

Genres:

Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 February 1959 (USA)  »

Also Known As:

Das Haus auf dem Geisterhügel  »

Box Office

Budget:

$200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Black & White and Color)|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The Ennis Brown House in Los Angeles, designed by Frank Lloyd Wright and built in 1924, and now listed on the National Register of Historic Places, was used for the exterior shots of the haunted house during the film's opening sequence. See more »

Goofs

Frederick Loren announces at the start of the challenge that if any of the contestants die, the deceased's heirs will get his/her $10,000. Later he says that if any of the five contestants die, the total $50,000 will be split evenly among the survivors. However, the initial statement is spoken directly to the film's audience, is not part of the actual plot line, and therefore does not really contradict the terms subsequently described to the genuine characters. See more »

Quotes

Watson Pritchard: [shows everyone a knife] This is what she used on my brother and her sister, hacked them to pieces. We found parts of their bodies all over the house, in places you wouldn't think. A funny thing is the heads have never been found, hands and feet and things like that, but no heads.
Dr. David Trent: The wife, probably in a fit of rage, threatened her husband with the knife, and then, carried away by hysteria, took a swing at him and simply went on from there.
Lance Schroeder: [laughing] She certainly went on, how many people did ...
[...]
See more »

Crazy Credits

The end title credits list "Skeleton - By Himself" See more »

Connections

Featured in Cinemassacre's Monster Madness: The Tingler (2007) See more »

Soundtracks

"House on Haunted Hill"
Theme
by Richard Kayne and Richard Loring
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Price is right
19 November 2001 | by See all my reviews

I have watched my share of horror movies, altho I am not an expert on the genre, and I have seen different settings. Of course, there can be mixed settings: a film about Dracula may take you to the Transylvanian outdoors, to streets or graveyards, as well as into the castle or mansion or whatever. But one way horror movies can be categorized is by whether most or all of the film is within a residence, or not. Bearing this in mind, I think something special about horror films is having the victim(s) enclosed inside a mansion or home, with escape difficult or impossible, and terrorized by anything one can imagine -- moving furniture, metamorphosing paintings, spooks in the attic, odd remnants, lights on and off -- as part of the buildup for a real or expected attack, by a person or whatever. The terror, suspense, is believing someone or something is or may be there, but where, and when, will it strike? "The Shining," "Die! Die! My Darling," "Beyond the Door," Behind Locked Doors," "The Haunting." Although claustrophobia might generally be a negative for me in a movie, such as "Rear Window" (unlike most people, I do not really like it), in horror movies it is great, it makes the day. If one looks at things this way, "House on Haunted Hill" can be seen as the quintessential horror film.

Start with having Vincent Price in it, hopefully no arguments there. He plays Frederick Loren, the affluent host of a "party" in which he invites five people, not including himself and his wife, to a haunted mansion on a hill in a challenge for each person to win $10,000 (at today's value, about $100,000) if that person stays in the mansion all night. Among the five are Watson Pritchard (Elisha Cook Jr.), an alcoholic, whose endemically spooked countenance sets the tone for what everyone is getting into. Frightface or not, he bears an (eerie?) resemblance to evangelist Pat Robertson, whether or not he is actually as scary. Altho Pritchard owns the house, he has spent little time in it, but he is nevertheless the expert on the circumstances surrounding seven deaths, including that of his brother, on the premises over many years. Quickly, the other four get the message: they may be facing trouble. And trouble begins quickly. Part of the idea is that there is no escape out of the mansion after midnight, when the caretakers leave, and barricades ensure this.

Price's wife, Annabelle, is played by Carol Ohmart. She is striking blond, gorgeous, with very fair skin. In several scenes that I will not specify, her lightness is artfully contrasted against surrounding darkness by Director William Castle -- very beautiful, no special effects needed. Price has a jealous rage toward her and she in turn wants to get rid of him, as she has tried to do in the past. What will happen tonight?

Of the other four characters, the two with the stronger presences in the first half are Lance Schroeder (Richard Long), a handsome pilot, and Nora Manning (Carolyn Craig), a pretty typist for one of Loren's companies and the early lead screamer. The other two are newspaper writer Ruth Bridgers (Julie Mitchum), who has a gambling problem, and Dr. David Trent (Alan Marshal), a psychiatrist interested in the subject of scared people. A plot twist brings one of these latter two to greater prominence in the second half.

The creaky doors, the body parts, the unexplained incidents all do their part in a movie in which black & white is such an essential. The black & white cements the atmosphere we need for the "house" (mansion): from a distance, from a close-up at the start of the movie, and then inside the mansion, everywhere. For those who profess love for "Casablanca" and cry "sacrilege" when they see the colored version, I say, OK, the true version to me is the original, but the colorized version is just the colorized version, what's wrong with watching it too? The movie still works in color, doesn't it, even if it is preferable in black & white? To me, anyway. But as to "House on Haunted Hill" -- even if I similarly would not cry "sacrilege" to a colorized version, I ask, can you think of any other movie in which black & while is so essential, in which a colorized version would lose so much? Maybe you can, but I can't.

Loren, with his ulterior motives, has a smug, rather commanding aura, knowing that each of the five needs the $10,000. There can be skeletons in people's closets, yes. And as Loren's plans are threatened with derailment, keep this in mind.


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