Major Jock Sinclair has been in this Highland regiment since he joined as a boy piper. During the Second World War, as Second-in-Command, he was made acting Commanding Officer. Now the ... See full summary »
Arthur Clennam returns to London after working abroad for many years with his now deceased father. Almost at once he becomes involved in the problems of his mother's seamstress Amy Dorrit ... See full summary »
Jack Cardiff received a 1960 Oscar Nomination as Best Director for this lush, engaging film starring Trevor Howard, Dean Stockwell and Donald Pleasence, which was adapted from D.H. ... See full summary »
Gulley Jimson is broke, difficult, conniving, uncouth, and a welcher - but an artist. The visions in his head may not really satisfy him when realized, but the quest continues, for the perfect wall. The Beeders leave for six weeks of vacation and return to find a 7000 pound committment and the wall of their living room a national treasure, even though living with a wall mural of feet is not their cup of tea. Then - in a bombed out church scheduled for demolition - THE wall that can become his vision. Written by
Bruce Cameron <email@example.com>
Ronald Neame was introduced to the Joyce Carey novel by Claude Rains, who was very anxious to play Gulley Jimson, but the director tried and failed to read the book. Several years later Alec Guinness came to him with his own adaptation. Neame reread the book and thought Guinness was perfect for the role. See more »
(at around 12 mins) Gully Simson is served a pint of beer in the pub. The amount of beer in the glass varies inconsistently in subsequent shots. See more »
Miss D. Coker:
Excuse me, Mrs. Monday, I'm Miss D. Coker, a friend of Mr. Jimson's and we want a few words with you, and not in the street, if you please.
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Confession time, I first saw 'The Horse's Mouth' around ten or twelve years ago, one afternoon on British television and hated it. Alec's "Gulley Jimson" seemed to me to be very un-likable and I found myself unable to get the point of the film. However, re-watching this on DVD, I found it to be far, far better than I remembered and something of a revelation.
I found myself identifying with "Gulley" this time around and appreciating Alec's subtle performance (to the extent that I was genuinely sad to see the film end). Guinness is backed by two astonishingly fine performances by Walsh and Houston (it's Rene's finest performance, for someone with a tendency to play 'broad' here she is remarkably subtle).
All in all, a wonderful if sadly under-rated film and one equal to Alec's best Ealing work.
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