Defiant's crew is part of a fleet-wide movement to present a petition of grievances to the Admiralty. Violence must be no part of it. The continual sadism of Defiant's first officer makes ... See full summary »
Arthur Clennam returns to London after working abroad for many years with his now deceased father. Almost at once he becomes involved in the problems of his mother's seamstress Amy Dorrit ... See full summary »
During World War II, two Americans are forced to bail out and parachute into a small German town. Herr Frick, being equal parts patriotic and lonely, keeps them as prisoners of war in his ... See full summary »
Monsieur Feydeau has writer's block, and he needs a new play. But he takes an opportunity to observe the upper class of 1900 Paris - Monsieur Boniface with a domineering wife, and the ... See full summary »
Jim Wormold is an expatriate Englishman living in pre-revolutionary Havana with his teenage daughter Milly. He owns a vacuum cleaner shop but isn't very successful so he accepts an offer ... See full summary »
Gulley Jimson is broke, difficult, conniving, uncouth, and a welcher - but an artist. The visions in his head may not really satisfy him when realized, but the quest continues, for the perfect wall. The Beeders leave for six weeks of vacation and return to find a 7000 pound committment and the wall of their living room a national treasure, even though living with a wall mural of feet is not their cup of tea. Then - in a bombed out church scheduled for demolition - THE wall that can become his vision. Written by
Bruce Cameron <firstname.lastname@example.org>
One day director Neame found Guinness sulking in his dressing room, refusing to come to the set. According to Neame, Guinness felt he hadn't been stroked enough and explained, "Actors are emotionally 14-year-olds. We need to be chastised like children, and we need to be hugged and told we're doing fine work. We are the children who never grow up." See more »
(at around 12 mins) Gully Simson is served a pint of beer in the pub. The amount of beer in the glass varies inconsistently in subsequent shots. See more »
No. That's my first cousin, once removed, an artist who's always getting into trouble with the police. He just went up the road. Shall I call him back?
Have you just sent a telephone message of a threatening character to Mr. Hickson of Portland Place?
I only said I'd burn his house down and cut his liver out.
Now he doesn't want to prosecute, but if you go on making a nuissance of yourself, well, he's gonna have to take steps.
Would he rather I cut his liver out without phoning?
[...] See more »
Confession time, I first saw 'The Horse's Mouth' around ten or twelve years ago, one afternoon on British television and hated it. Alec's "Gulley Jimson" seemed to me to be very un-likable and I found myself unable to get the point of the film. However, re-watching this on DVD, I found it to be far, far better than I remembered and something of a revelation.
I found myself identifying with "Gulley" this time around and appreciating Alec's subtle performance (to the extent that I was genuinely sad to see the film end). Guinness is backed by two astonishingly fine performances by Walsh and Houston (it's Rene's finest performance, for someone with a tendency to play 'broad' here she is remarkably subtle).
All in all, a wonderful if sadly under-rated film and one equal to Alec's best Ealing work.
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