| Enrique Rambal | ... | Samuel Magno | |
| Abel Salazar | ... | Ricardo Souto | |
| Martha Roth | ... | Laura / Alejandra | |
| Ofelia Guilmáin | ... | Cornelia | |
| Ana Laura Baledon | ... | Girl killed by Samuel | |
| José Chávez | |||
| Maricarmen Vela | ... | Blond Motorist (as Mari Carmen Vela) | |
| Carlos Suárez | |||
| rest of cast listed alphabetically: | |||
| Anita Blanch | |||
Directed by | |||
| Rafael Baledón | |||
Writing credits(in alphabetical order) | ||
| Alfredo Salazar | adaptation | |
| Raúl Zenteno | story | |
Produced by | |||
| Abel Salazar | .... | producer | |
Original Music by | |||
| Gustavo César Carrión | (as Gustavo C. Carrion) | ||
Cinematography by | |||
| Raúl Martínez Solares | |||
Film Editing by | |||
| Carlos Savage | |||
Production Design by | |||
| Javier Torres Torija | |||
Makeup Department | |||
| Armando Meyer | .... | makeup artist (as Armando Mayer) | |
Production Management | |||
| Paul Castelain | .... | production chief | |
| Alfredo Salazar | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Felipe Palomino | .... | assistant director | |
Sound Department | |||
| Manuel Topete | .... | sound | |
Special Effects by | |||
| Juan Muñoz Ravelo | .... | special effects | |
Camera and Electrical Department | |||
| Mario Diver | .... | assistant camera | |
| Carlos Nájera | .... | lighting technician | |
| Cirilo Rodríguez | .... | camera operator | |
Editorial Department | |||
| Sigfrido García | .... | assistant editor | |
Music Department | |||
| María Teresa Rodríguez | .... | musician: piano | |
Other crew | |||
| Nicolás Rueda hijo | .... | titles (as Nicolás Rueda Jr.) | |
| Pablo Álvarez | .... | script supervisor | |
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| House of Dracula | Phantom of the Paradise | Torture Garden | Beauty and the Beast | Faust |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Mexico section |
I had greatly admired producer Abel Salazar and director Rafael Baledon's 1961 offering, "The Curse of the Crying Woman" (indeed, I believe it to be a horror masterpiece), and so eagerly looked forward to watching an earlier effort by that same team, "The Man and the Monster" (1958). And while this earlier film turns out to be not quite in the same exalted league as the later effort, it still has much to offer, indeed. Abel Salazar again makes for a sympathetic lead here, playing Ricardo Souto, a Mexican writer for a music journal who travels to an unnamed country to interview the great pianist Samuel Magno. What Souto doesn't realize, however, is that Magno has sold his soul to the Devil to become the greatest pianist in the world. Unfortunately, he is also often compelled to play a certain tune that transforms him into a hairy, fanged, bulbous-nosed monster, with a decidedly nasty temperament! Enrique Rambal does a fine job with this central role, and the actress Martha Roth, playing his disciple, Laura, is quite good, as well; she turns out to be as excellent a screamer as she is lousy at faking piano playing. Gorgeously filmed in B&W and employing superb use of light and shadow, this Mexican winner is a surprising visual treat. As in "Crying Woman," the mummified remains of a dead woman play a central role here, and the two films also have in common a startling flashback sequence that occurs roughly halfway through. Magno, in his Hyde-like monster state, is truly horrifying to behold, and his nighttime pursuit of Laura through a darkened hacienda is extremely suspenseful. So, too, the scene in which the "normal" Magno gives a lesson on Tchaikovsky to a young girl. Culminating at a classical music performance, "The Man and the Monster" is an instructive primer in what a classical monster movie should be, and is here presented on another wonderful DVD from Casa Negra.