A bus and a truck are moving towards each other along a two-way traffic highway on a rainy day. At the very beginning we learn that a reckless driver of another car will cause them to ... See full summary »

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Cast

Cast overview, first billed only:
Boris Buzancic ...
Journalist Boris
Djurdja Ivezic ...
Alma Novak
Antun Vrdoljak ...
Photographer
Vanja Drach ...
Kreso
Stane Sever ...
Co-driver Pongrac
Marija Kohn ...
Mrs. Jakupec
Mira Nikolic ...
Young mother
Mia Oremovic ...
Svicarcev's wife
Marijan Lovric ...
Rudolf Knez
Fabijan Sovagovic ...
Franjo Rosic
Pero Kvrgic ...
Mr. Jakupec
Ljubica Jovic ...
Kreso's wife
Rudolf Kukic ...
Svicarac
Andro Lusicic ...
Dr. Sestan
Sinisa Knaflec ...
Vladimir Knez
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Storyline

A bus and a truck are moving towards each other along a two-way traffic highway on a rainy day. At the very beginning we learn that a reckless driver of another car will cause them to collide while trying to pass the bus; we even learn what seats will spell doom for their occupants. The rest of the movie follows two streams of events on the bus and on the truck, getting us to know and like a wide variety of characters, wondering which ones will end up being casualties and holding breath for our favourites. The epilogue brings some more surprises... Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Language:

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Release Date:

15 July 1958 (Yugoslavia)  »

Also Known As:

H-8  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(with exit song)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

H-8 is the beginning of the license plate - the only information that was available on the culprit's vehicle. H stood for Croatia (Hrvatska). See more »

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User Reviews

H-10 and a perfect ten too
15 November 1999 | by (Zagreb, Croatia) – See all my reviews

This is absolutely one of the greatest Croatian movies and there's no doubt about it. It doesn't slave to any politics, any specific time, any commercialism and nothing of that kind. But this movie achieves to play with the clichees and functionally use them, to show real-blood characters, to maintain the tempo and to build suspense. We need more master pieces like this for 40 years now (except 'Tko pjeva zlo ne misli' and a few other films)


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