Indian Agent sent to try new approach to peace with Apaches based on respect for automomy rather than submission to Army. Wins over reservation chiefs and the Indian widow (Bancroft) given ... See full summary »
Ring Hassard and father Jeff, wild horse breakers, live in a hidden mountain eyrie because Jeff is wanted for a murder he didn't commit. But things change when they take in a lost young ... See full summary »
Murphy deserts the Union Army to warn former Texas neighbors of impending Indian attacks triggered by Army massacre. He overcomes initial distrust and convinces the homesteaders (all women ... See full summary »
Wanted north of the border, Jess Carlin resides safely in Mexico. Then he hears his brother was killed in a gunfight with another man. Knowning his brother never carried a gun he heads ... See full summary »
After robbing a bank Murphy assumes the identity of his pursuer, a famous US Marshal, when he stumbles into a town and is confronted by the local judge, Matthau. Murphy is forced to remain ... See full summary »
The townsfolk of Sutterville mistake passerby Clay Santell for killer Travers who committed a few murders in the county, forcing Santell to go after the real killer in order to prove that he is not Travers.
Audie Murphy comes into his own as a Western star in this story. Wrongly accused by crooked railroad officials of aiding a train heist by his old friends the Daltons, he joins their gang ... See full summary »
Remake of "To Have and Have Not" based on Hemingway short story. Plot reset to early days of Cuban revolution. A charter boat skipper gets entangled in gunrunning scheme to get money to pay off debts. Sort of a sea-going film noir with bad girl, smarmy villain, and the "innocent" drawn into wrong side of law by circumstances. Written by
A remake of "To Have and Have Not" based on the Hemingway short story. The plot is reset to the early days of the Cuban revolution. A charter boat skipper (Audie Murphy) gets entangled in gunrunning scheme to get money to pay off debts.
Director Don Siegel may be the third person to tackle this tale, but he is not working fro ma dry well. By updating the story to involve the Cuban Revolution (before its success), the film takes on new life and now works as not only a great story but something of a historical document. Assisting Cuban rebels in 1958 may have had a very different sense at the time than it does today after fifty-plus years of Castro.
This was the first feature from the fledgling Seven Arts Productions, before they went on to make "The Misfits" (1961), "Lolita" (1962), and several others, including a large number of co-productions with Hammer films.
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