| Gastón Santos | ... | Gastón / Cowboy | |
| María Duval | ... | María Elena García | |
| Pedro de Aguillón | ... | Coyote Loco | |
| Carlos Ancira | ... | Felipe | |
| Carolina Barret | ... | Clotilde | |
| Antonio Raxel | ... | Doctor (as Antonio S. Raxel) | |
| Hortensia Santoveña | ... | Doña María | |
| Quintín Bulnes | ... | Indio | |
| rest of cast listed alphabetically: | |||
| José Chávez | ... | Lencho (uncredited) | |
| José Dupeyrón | ... | Asesino de Lencho (uncredited) | |
| Eugenia Galindo | ... | Clemencia (uncredited) | |
| Ana María Hernández | ... | Ama de llaves (uncredited) | |
| Cecilia Leger | ... | Pueblerina (uncredited) | |
| Hernán Vera | ... | Cantinero (uncredited) | |
| Guillermo Álvarez Bianchi | ... | Don Emiliano (uncredited) | |
Directed by | |||
| Fernando Méndez | |||
Writing credits(in alphabetical order) | ||
| Ramón Obón | story and adaptation | |
Produced by | |||
| K. Gordon Murray | .... | producer (english version) | |
| Alfredo Ripstein hijo | .... | producer (as Alfredo Ripstein Jr.) | |
| César Santos | .... | producer (as Cesar Santos Galindo) | |
Original Music by | |||
| Gustavo César Carrión | (as Gustavo C. Carrion) | ||
Cinematography by | |||
| Víctor Herrera | |||
Film Editing by | |||
| Charles L. Kimball | |||
Production Design by | |||
| Gunther Gerszo | |||
Costume Design by | |||
| Consuelo Múgica | |||
| Francisco Preciado | |||
Makeup Department | |||
| Evangelina Garibay | .... | makeup artist (as Angelina Garibay) | |
| Agripina Lozada | .... | hair stylist (as Pina Lozada) | |
Production Management | |||
| Jorge Cardeña | .... | production chief | |
| Armando Solís | .... | assistant production chief | |
| Carlos Ventimilla | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Américo Fernández | .... | assistant director | |
Sound Department | |||
| James L. Fields | .... | sound supervisor | |
| Javier Mateos | .... | dialogue recordist | |
| Raúl Portillo | .... | sound editor (as Raul Portillo G.) | |
Special Effects by | |||
| Jorge Benavides | .... | special effects (as 'Benavides') | |
Camera and Electrical Department | |||
| Regino Cárdenas | .... | lighting technician | |
| Lupe García | .... | camera operator (as Guadalupe Garcia) | |
Music Department | |||
| Galdino R. Samperio | .... | music recordist (as Galdino Samperio 'Crucy') | |
Other crew | |||
| Javier Carreño | .... | script supervisor | |
| Nicolás Rueda hijo | .... | titles (as Nicolás Rueda Jr.) | |
| 'Chema' Hernandez | .... | head wrangler (uncredited) | |
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| The Ghosts of Edendale | Paris, je t'aime | El vampiro | The Black Pit of Dr. M | Eyes of Fire |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Mexico section |
Well, this is the fifth release I've seen from Casa Negra, and the other four were all excellent; those being The Curse of the Crying Woman, The Witch's Mirror, The Black Pit of Dr M and Brainiac...and while this film isn't terrible, it pales in comparison to those four as there isn't a great deal of imagination and the plot seems stretched out, despite the fact that the film only runs for seventy minutes! I was surprised to find that this film was directed by Fernando Méndez: the same director behind quite possibly the best of the Casa Negra releases so far, The Black Pit of Dr M. Perhaps he was running short on ideas by the time it came to making this film? Anyway, it won't surprise many people to find that the plot focuses on the Mexican legend of 'The Crying Woman'. We follow a Cowboy and his sidekick Crazy Wolf who comes across the mystery of the Crying Woman while investigating an attempted murder in an almost deserted Mexican town. The duo soon learns about the mystery behind The Crying Woman and attempts to get to the bottom of it.
The film mixes elements from horror and westerns in more ways than just the fact that the central character is a cowboy. The bar room brawl is one of the action centrepieces, and is of course a staple of the western genre. The film features a decent atmosphere emanating from the nearby swamp, and this helps to implement the horror tones. Surprisingly, the film is shot in colour, although unsurprisingly, it looks very grainy and cheap. The plot can feel a bit dry at times as there isn't a lot of it, and the film never really capitalises on the 'Crying Woman' theme that made The Curse of the Crying Woman such a delight to watch. The acting ranges from over the top to completely unenthusiastic, and this gives the film more of a trashy feel. When the plot starts to unravel it does feel kind of disappointing, and while fans of Scooby Doo may be happy with how it all turns out, I reckon many people will feel a bit cheated. Overall, this film may be of interest to people who were impressed by other Casa Negra releases, but I certainly wouldn't recommend stating with this one!