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Gigi (1958)

Approved | | Comedy, Musical, Romance | 4 August 1958 (Brazil)
Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long.

Director:

Writers:

(screen play), (based on the novella by)
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Won 9 Oscars. Another 12 wins & 9 nominations. See more awards »
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Cast

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Storyline

Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Thank heaven for Gigi [1966 re-release] See more »


Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

4 August 1958 (Brazil)  »

Also Known As:

The Parisians  »

Box Office

Budget:

$3,319,355 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

(Turner library print) (copyright length)

Sound Mix:

(Westrex Recording System)| |

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Leslie Caron described filming inside Maxim's as a "nightmare." Vincente Minnelli was given only a few days to get the important shots he needed inside Paris' most famous restaurant. It was a beautiful but tight space, and it had the added challenge of its signature mirrors along the walls, which could easily reflect the cameras and lights if the crew wasn't careful. Caron recalled, "From the sidewalk entrance to the dining area, the space was crowded like an anthill full of technicians trying to set up the lamps, the black flags, the cables and sound equipment-a constant flow of ladies in evening dresses with hats bigger than the waiters' trays, makeup artists wiping the sweat off the gentlemen's brows, the blaring playback music drowning all else, adding to the confusion." See more »

Goofs

When Honore Lachaille is having a shave at the barbers, a small amount of shaving cream is left on his face after he has wiped it with a towel. It disappears on the next shot. See more »

Quotes

[first lines]
[Honore walks through Paris and greets the viewer]
Honore Lachaille: Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
[laughs]
Honore Lachaille: ...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[...]
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Connections

Referenced in Saturday Night Live: Deborah Harry/Funky 4 + 1 More (1981) See more »

Soundtracks

Gossip
(uncredited)
Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Performed by Chorus
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Frequently Asked Questions

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User Reviews

 
One of the best film musicals ever made.
26 December 2004 | by (United States) – See all my reviews

"Gigi" is undoubtedly as good as it is because it was a musical written expressly for the screen (it had been an enormously popular Broadway play starring Audrey Hepburn). Lerner and Loewe were coming off their huge success with "My Fair Lady" on Broadway, and were at the height of their powers when they created the classic songs and screenplay for this film. And although Leslie Caron's vocals were dubbed (thankfully not by Marni Nixon), the rest of the cast acquits themselves with aplomb and a good deal of style, particularly the heartstoppingly suave and beautiful Louis Jourdan (who was much older than he looked at the time, as was Caron -- he was 38, she was 27). The breathtaking Art Nouveau sets and fin de siecle costumes were all designed by Cecil Beaton and are even more gorgeous than those he did for the film version of "My Fair Lady" a few years later.

This film is very faithful to Colette's original short story in both humor and spirit, and while I have no illusions that it is a completely truthful portrait of life in early 20th century Paris, it is a delightful, romantic story, one that is as lovely now as it was in the 1950s, or indeed, at the turn of the century. It really did deserve the Best Picture Oscar.


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