Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story. Written by
When Gaston is leaving his Uncle after ranting about Gigi's decline, it sounds as though he says "goodbye Maurice" which is the actor's real name (Maurice Chevalier) and not character name. See more »
[Honore walks through Paris and greets the viewer]
Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[...] See more »
Lerner & Lowe competing with Lerner & Lowe...but still a charming musical...
It's almost as if Lerner & Lowe were competing with themselves when they decided to write the music for "Gigi" -- once again, a story about a girl being transformed into a young woman of charm (a Parisian courtesan) just as Eliza was being molded into another creature by Professor Higgins. And that's not the only similarity. The songs all have a "My Fair Lady" similarity -- from 'The Night They Invented Champagne' to 'Gigi' to 'The Parisiennes' -- all bear the flavor of their previous work in sound and content. And yet they work beautifully for this story set in the city of love and starring Leslie Caron, Louis Jourdan, Herminone Gingold and Maurice Chevalier.
Production-wise, it's almost too lavish for its own good. Vincente Minnelli wrings every bit of artistic decor in the trappings, giving the viewer an almost claustrophobic feeling for the interior scenes. The outdoor shots are just as lavish--Louis Jourdan singing the title song among the fountains and architecture of French landmarks.
The cast is perfect. Leslie Caron makes an enchanting Gigi, Louis Jourdan is impossibly handsome as Gaston, and all of the other players were cast with a discerning eye.
But there is no denying that no matter how distasteful some will find the story of training a girl to become a courtesan to be (or how politically incorrect by today's standards), the score is as sparkling as the champagne they sing about. While, in my opinion, the score does not surpass "My Fair Lady" in range and cleverness, it certainly did well enough in winning nine Oscars, including the one for Best Picture of 1958. By all means, it has to be considered one of the last great musicals from the MGM period.
Only drawback: it's a bit overlong and could have used some editing for the slow moments.
21 of 29 people found this review helpful.
Was this review helpful to you?