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Gigi (1958)

Approved  |   |  Comedy, Musical, Romance  |  4 August 1958 (Brazil)
6.9
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Ratings: 6.9/10 from 12,960 users  
Reviews: 108 user | 72 critic

Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long.

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(screen play), (based on the novel by), 1 more credit »
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Title: Gigi (1958)

Gigi (1958) on IMDb 6.9/10

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Won 9 Oscars. Another 16 wins & 5 nominations. See more awards »

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Cast

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Storyline

Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Thank heaven for Gigi [1966 re-release] See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

4 August 1958 (Brazil)  »

Also Known As:

The Parisians  »

Box Office

Budget:

$3,319,355 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(Turner library print) (copyright length)

Sound Mix:

(Westrex Recording System)| |

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

By mid-July 1957, the songwriters had still not come up with the title song. One evening, Frederick Loewe was at a piano while Alan Jay Lerner was indisposed in the bathroom, and when Loewe began playing a particular melody, he later recalled Lerner jumped up, "his trousers still clinging to his ankles, and made his way to the living room. 'Play that again,' he said." That melody ended up as the film's title song. See more »

Goofs

In the early scene in the park, the principal actor casts a shadow backwards (away from the viewer), while the carriages in the background cast shadows forwards (towards the viewer), revealing the production lighting. See more »

Quotes

[first lines]
[Honore walks through Paris and greets the viewer]
Honore Lachaille: Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
[laughs]
Honore Lachaille: ...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[...]
See more »

Connections

Edited into Histoire(s) du cinéma: Une histoire seule (1989) See more »

Soundtracks

Gigi
(uncredited)
Lyrics by Alan Jay Lerner
Music by Frederick Loewe
Performed by Louis Jourdan
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Absolutely Charming
26 June 2001 | by (San Francisco, CA) – See all my reviews

Having seen this film several times, I definitely have to rate Gigi as one of the most charming musicals ever made. The delightful score, by Lerner & Loewe, includes songs such as "I Remember it Well," "The Night They Invented Champagne," "Thank Heaven For Little Girls," as well as the title track, "Gigi," sung with surprising candor and earnestness by Louis Jourdan. Although reminiscent of their work on My Fair Lady, this score not only stands beautifully on its own but also grows in depth with each viewing.

The three principals, Leslie Caron, Louis Jourdan, and Maurice Chevalier, along with the Paris locales helps maintain a distinctively French flavor, especially in the way the characters relate and interact.

For everyone who has commented on the political incorrectness of the story, a closer look will actually reveal the true feminist perspective of Colette's work which was groundbreaking for its time: 1) the story is a commentary and observation of the limited social and economic options for women outside of marriage during the turn of the century Paris, 2) Although Gigi (Caron) never fully masters her lessons and grooming, she is able to capture Gaston's (Jourdan) heart precisely because of her imperfections, and 3) most importantly, it is Gaston rather than Gigi who is forced to truly transform himself and defy the social conventions of the time to bring the story to its resolution.

Compare this to My Fair Lady, which offers similar social commentary but resolves itself in a more standard way: For example 1) Eliza Dolittle only becomes noticeable and lovable after transforming her outward appearance and speech patterns 2) Although Professor Higgins finally realizes his love for Eliza at the end, it is Eliza who is forced to submit her will by effecting a reconciliation that does nothing to resolve any of the issues raised in the scenes leading up to that point.

Definitely see Gigi and judge for yourself. (By the way, the widescreen version is sooooo much better. This is especially apparent in numbers such as "I Remember It Well" where entire characters are forced to be cut out of the screen.)


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Is this the worst Academy Award-winning Best Picture ever? steely3000
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Is that true that Gigi was trained to be a HOOKER? bruno333ala
Favorite quote? BlueLeopard
This over Vertigo nisitpav
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