C.K. Dexter-Haven, a successful popular jazz musician, lives in a mansion near his ex-wife's Tracy Lord's family estate. She is on the verge of marrying a man blander and safer than Dex, ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long. Gaston, the scion of a wealthy Parisian family finds emotional refuge from the superficial lifestyle of upper class Parisian 1900s society with the former mistress of his uncle and her outgoing, tomboy granddaughter, Gigi. When Gaston becomes aware that Gigi has matured into a woman, her grandmother and aunt, who have educated Gigi to be a wealthy man's mistress, urge the pair to act out their roles but love adds a surprise twist to this delightful turn-of-the 20th century Cinderella story. Written by
Gaston's walk through Paris while singing "Gigi" uses camera magic to make parts of Paris which are miles apart seem adjacent to each other. This technique, called "creative geography", was created and named by French filmmaker Jean Cocteau. See more »
When Gaston is leaving his Uncle after ranting about Gigi's decline, it sounds as though he says "goodbye Maurice" which is the actor's real name (Maurice Chevalier) and not character name. See more »
[Honore walks through Paris and greets the viewer]
Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[...] See more »
"My Fair Lady" is certainly Lerner and Loewe's crowning glory, but in my mind, this is their most perfect creation. Anyone who thinks that Alan Jay Lerner was not able to write and/or adapt a strong book without the help of a G.B. Shaw needs to take in this gem of a musical based on the novel by Colette.
Although the creators were American, it is so effervescently French in spirit and tone. Lerner insisted that he and Loewe actually live temporarily in Paris while writing the score and screenplay so that they could incorporate the mood and feel of the city into their collaboration. This move paid off in spades. Paris is as much a character in this story as any of the protagonists, and it is displayed beautifully here. There is such color, joy, and romance in this musical. I also happen to think that it's extremely funny to boot. It is perfectly cast (the three main characters are all French, including the legendary Maurice Chevalier), the Cecil Beaton costumes are incredible, and the score is scintillating. The pace never lags for a second.
This musical is a must.
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