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Gideon of Scotland Yard (1958)
"Gideon's Day" (original title)

 -  Action | Comedy | Drama  -  February 1959 (USA)
6.6
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Ratings: 6.6/10 from 468 users  
Reviews: 25 user | 8 critic

Scotland Yard Inspector George Gideon starts his day off on the wrong foot when he gets a traffic-violation ticket from a young police officer. From there, his 'typical day" consists in ... See full summary »

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(screenplay), (novel)
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Title: Gideon of Scotland Yard (1958)

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Cast

Cast overview, first billed only:
...
...
...
Sally Gideon
Andrew Ray ...
P.C. Farnaby Green
Howard Marion-Crawford ...
The Chief
John Loder ...
The Duke
Barry Keegan ...
The Driver
Frank Lawton ...
Liggot
Michael Trubshawe ...
Golightly
Derek Bond ...
Det. Sgt. Eric Kirby
Grizelda Harvey ...
Mrs. Kirby (as Grizelda Hervey)
Henry B. Longhurst ...
The Vicar (as Henry Longhurst)
Doreen Madden ...
Vicar's Daughter
Jack Watling ...
The Curate
...
Herbert 'Birdie' Sparrow
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Storyline

Scotland Yard Inspector George Gideon starts his day off on the wrong foot when he gets a traffic-violation ticket from a young police officer. From there, his 'typical day" consists in learning that one of his most-trusted detectives has accepted bribes; hunts an escaped maniac who has murdered a girl; tracks a young girl suspected of a payroll robbery and, then, helps break up a bank robbery. His long day ends when he arrives at home and finds that his daughter has a date with the policeman who gave him a ticket that morning. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

24 Tension-Taut Hours in the Life of a Top Crime Fighter!

Genres:

Action | Comedy | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

February 1959 (USA)  »

Also Known As:

Gideon of Scotland Yard  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(USA, theatrical prints)| (Technicolor) (UK prints)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Film debut of Anna Massey (she receives an "Introducing" credit). See more »

Goofs

Simon's surname is credited as Farnaby Green, despite the dialogue explicitly stating that it should be the hyphenated Farnaby-Green. See more »

Quotes

[Gideon goes to arrest a woman and is confronted by her lover who brandishes his gun at Gideon]
Insp. George Gideon: There's a police car outside with two men in it. And if you were fool enough to fire that gun...
Paul Delafield: I don't see why you should speak in the subjunctive. I *am* going to fire this gun.
See more »

Connections

Referenced in Ken Adam: Designing Bond (2000) See more »

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User Reviews

 
John Ford Directs a BBC America Cop Show
20 May 2007 | by (United States) – See all my reviews

This resoundingly ordinary film about the busy day of a Scotland Yard inspector is likely to be a disappointment to those seeking a great unknown film by a great film director. The themes and larger than life characters and scenery one tends to find in a Ford picture just aren't here. What we have instead is a likable Jack Hawkins playing a Scotland Yard detective with a busy life that gets in the way of his life at home. It's all pretty amusing, swiftly paced, and there are good bits throughout. Any of the above-average directors of in the US could have made this picture, and it would have looked pretty much the same. The one exception -- Jack Hawkins sidekicks act and behave in much the same way as John Wayne's sidekicks in his various Ford calvary movies.

Best way to deal with this one is ignore it was directed by John Ford. Think of it as one of those cop shows on BBC America, except that it's the 50s and therefore the family being ignored is NOT dysfunctional, just comically bemused.

Acting is all professional British -- all very good, efficient, and not terribly memorable when it is all over (except for Jack Hawkins, who does his usual good job here). And, because all the little mysteries must be wrapped up at the end of the day, none of those are especially complex or deep. So, at the end of the day, this is worth seeing, but not worth a film school thesis.


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