When an atomic war on Mars destroys the planet's women, it's up to Martian Princess Marcuzan and her right-hand man Dr. Nadir to travel to earth and kidnap women for new breeding stock. ... See full summary »
There is panic throughout the nation as the dead suddenly come back to life. The film follows a group of characters who barricade themselves in an old farmhouse in an attempt the remain safe from these flesh eating monsters.
Heroic, but dull, Fred Maklin and beautiful, but spoiled, Jerrie Turner wash up on an uncharted tropical island. They are soon captured by ex-Nazi Colonel Osler, who also has imprisoned a ... See full summary »
Richard E. Cunha
Victor Sen Yung
Legendary outlaw of the Old West Jesse James, on the run from Marshal MacPhee, hides out in the castle of Baron Frankenstein's granddaughter Maria, who proceeds to transform Jesse's ... See full summary »
Connie Hayward mounts an expedition into the Himalayan Mountains looking for her brother, who has not returned from a previous trek trying to locate the Yeti, or "Abominable Snowman". ... See full summary »
Director Richard E. Cunha recently recalled that, upon seeing the make-up for the title creature just before filming, he was so disappointed he left the set and broke down in tears. See more »
The scene where the monster first "steps" out of the house, "she" rips the curtain rod down and breaks the window panes in the door before yanking it open to make "her" escape. In the scene where Trudy opens the door, seeing the monster for the first time (as it was returning) the curtain rod, glass and door are undamaged. See more »
Your father and grandfather never used a female brain.
Oliver Frank aka Frankenstein:
No. The way the female's brain is conditioned to a man's world. Therefore it takes orders where the other one's didn't.
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For many years people derided this film as the worst Frankenstein movie ever made. Of course that was before things like FRANKENSTEIN '80 or FRANKENSTEIN'S CASTLE OF FREAKS came along. I grew up watching this film on "Chiller Theatre" and now I have a beautiful sepia tinted print on video so it is indeed a pleasure of mine, and not a guilty one either. I like this film and I am not ashamed to admit it, so there! What a cast, Felix Locher, real life father of actor Jon Hall, as a dedicated but misguided scientist; Donald Murphy as yet another "last of the Frankenstein's" (the third one the movies offered us in the space of a single year!); Harold Lloyd Jr as the comedy relief, Sandra Knight (future Mrs. Jack Nicholson) as both the girl in distress AND the fill-in monster; and last but not least John Ashley as the hero. Two men played the title monster: mostly he (she?, it?) was played by Harry Wilson, former stunt double for Wallace Beery (you can see Mr. Wilson briefly in THEM! in the hospital scene. He is in the bed next to the one occupied by Olin Howland) and for the scene where the Monster is on fire stuntman George Barrows takes over. Ms. Knight is memorable as the crusty faced, bug eyed monster who dominates the first half of the movie. If she had just gone on one date with Mr. Murphy perhaps he would not have experimented on her; but of course the plot had to advance. It's the title monster that gets me. An ostensibly male body with the severely mutilated head of a female hit-and-run victim grafted on; talk about gender confusion! Mr. Murphy gets a classic bit of male chauvinism when he declares "The brain of a female is conditioned to a man's world, therefore it takes orders." Wanna bet? The first thing the monster does after it wakes up is wander out on its own and kill someone! It is polite enough to knock when it returns home at least. You have to love the party scene. Harold Lloyd Jr (backed by Paige Cavanaugh and his Trio, a jazz combo trying to ease into rock and roll) sings "Special Date" and "Daddy Bird" and nearly steals the second half of the movie. Oh, and for your trivia folder, that burned face makeup on Mr.Murphy that was immortalised in the opening credits of "Chiller Theatre" was accomplished in less than 5 minutes thanks to some clear gel, lens paper, and chocolate syrup. Director Richard Cunha made other features, but I do believe this is his best.
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