When an atomic war on Mars destroys the planet's women, it's up to Martian Princess Marcuzan and her right-hand man Dr. Nadir to travel to earth and kidnap women for new breeding stock. ... See full summary »
Gruff, hard-nosed new boss Stanton takes over a scientific research company upon the death of his benevolent father. Scientists Manning, Gordon and White, who are very close to a ... See full summary »
When Dr. Frankenstein is killed by a monster he created, his daughter and his lab assistant Marshall continue his experiments. The two fall in love and attempt to transplant Marshall's ... See full summary »
During WWII, a human heart taken from a certain lab in Europe (Dr. Frankenstein's) is kept in a Japanese lab, when it gets exposed to the radiation of the bombing of Hiroshima. The heart ... See full summary »
Director Richard E. Cunha recently recalled that, upon seeing the make-up for the title creature just before filming, he was so disappointed he left the set and broke down in tears. See more »
During the scene when Sandra Knight as Trudy Morton opens the door and faints because she is frightened by the monster, she falls to the floor. After she is supposedly unconscious she very obviously lifts her arm and places it on her hip. Then once the camera moves off her and returns she is in a completely different position than she was previously (she was originally on her left side with her back to the camera, and she's now shown on her back)! See more »
Your father and grandfather never used a female brain.
Oliver Frank aka Frankenstein:
No. The way the female's brain is conditioned to a man's world. Therefore it takes orders where the other one's didn't.
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I love this take on the "man creates monster" tale. This 1958 movie stars Donald Murphy as Oliver Frank (short for Frankenstein), grandson of the original monster maker. It is 1958, Los Angeles, and he is living with Dr. Carter Morton (Felix Locher) and assisting him with his experiments. Unbeknownst to Dr. Morton, Oliver is using the lab for not just legitimate experiments, but to try to carry on the "family business", creating a human being from body parts.
Sandra Knight portrays Trudy Morton, Dr. Morton's teenage niece. John Ashley is her good guy boyfriend, Johnny. To make a long story short, Oliver creates a woman monster using the head of Trudy's va va voom friend Suzy (played by 1957 Playmate of the Year, Sally Todd) who was killed by Oliver in a jealous rage, and various other body parts, mostly male. The resulting monster with a female head, all be it butt ugly, and male body is hilarious to say the least. There is also a side story where Oliver is drugging Trudy with a drug that turns her into a monster because she won't play hide the salami with him. The monster make up on both monsters is not scary, but laughable.
All teen oriented movies in the 1950's had to have a few dance/song sequences with that new music, rock and roll, and this movie is no exception. Surprisingly enough, John Ashley doesn't perform (he was a singer and sang in several 1950's movies, most noticeably to 50's scary movie fans in the movie "How to Create a Monster"). Instead, Harold Lloyd Jr. sings two songs with the Page Cavanaugh Trio. The songs are funny although I think they were meant to be serious back when the movie was released.
This movie has everything you would expect from a 1950's low budget horror movie...cheap sets, grade b actors, crapola make up and cheezy song and dance routines. In other words, everything for a fun movie!
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