IMDb > The Fly (1958)
The Fly
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The Fly (1958) More at IMDbPro »

Photos (See all 23 | slideshow) Videos (see all 2)
The Fly -- A scientist develops "teleport" machines, which dissolve atoms in one place to recreate them in another, but when the scientist unwittingly shares the machine with a common housefly, he turns into a hideous hybrid of man and insect.
The Fly -- Trailer for this horror starring Vincent Price

Overview

User Rating:
7.1/10   13,450 votes »
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Up 14% in popularity this week. See why on IMDbPro.
Director:
Writers:
George Langelaan (story)
James Clavell (writer)
Contact:
View company contact information for The Fly on IMDbPro.
Release Date:
1958 (Norway) See more »
Genre:
Tagline:
If she looked upon the horror her husband had become... she would scream for the rest of her life! See more »
Plot:
A scientist has a horrific accident when he tries to use his newly invented teleportation device. Full summary » | Full synopsis »
Plot Keywords:
Awards:
1 nomination See more »
User Reviews:
Ah, I don't think a fly swatter is going to work! See more (102 total) »

Cast

  (in credits order) (verified as complete)

David Hedison ... Andre Delambre (as Al Hedison)
Patricia Owens ... Helene Delambre

Vincent Price ... François Delambre
Herbert Marshall ... Insp. Charas

Kathleen Freeman ... Emma
Betty Lou Gerson ... Nurse Andersone
Charles Herbert ... Philippe Delambre
rest of cast listed alphabetically:
Eugene Borden ... Dr. Ejoute (uncredited)
Harry Carter ... Orderly (uncredited)
Arthur Dulac ... French Waiter (uncredited)
Bess Flowers ... Lady at the Ballet (uncredited)
Torben Meyer ... Gaston (uncredited)
Franz Roehn ... Police Doctor (uncredited)
Charles Tannen ... Doctor (uncredited)

Directed by
Kurt Neumann 
 
Writing credits
George Langelaan (story)

James Clavell (writer)

Produced by
Kurt Neumann .... producer
Robert L. Lippert .... producer (uncredited)
 
Original Music by
Paul Sawtell 
 
Cinematography by
Karl Struss 
 
Film Editing by
Merrill G. White 
 
Art Direction by
Theobold Holsopple 
Lyle R. Wheeler 
 
Set Decoration by
Eli Benneche 
Walter M. Scott 
 
Costume Design by
Adele Balkan 
 
Makeup Department
Ben Nye .... makeup artist
Helen Turpin .... hair stylist
 
Second Unit Director or Assistant Director
Jack Gertsman .... assistant director
 
Sound Department
Eugene Grossman .... sound
Harry M. Leonard .... sound
Don Isaacs .... sound editor (uncredited)
Dick Jensen .... sound editor (uncredited)
 
Special Effects by
James B. Gordon .... special effects (uncredited)
 
Visual Effects by
L.B. Abbott .... special photographic effects
 
Costume and Wardrobe Department
Charles Le Maire .... executive wardrobe designer (as Charles LeMaire)
 
Editorial Department
Leonard Doss .... color consultant
Orven Schanzer .... assistant editor (uncredited)
 
Other crew
Kathleen Fagan .... script supervisor (uncredited)
Wayne Fitzgerald .... title designer (uncredited)
Clarence Marks .... dialogue coach (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
94 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
3 Channel Stereo (RCA Sound Recording) (5.0) (L-R)
Certification:
Argentina:13 | Australia:M | Brazil:12 | Finland:K-16 | Iceland:16 | Italy:16+ | Norway:16 | Singapore:PG | Sweden:15 | UK:X (original rating) | UK:15 (video rating) | UK:PG (video re-rating) (2001) | USA:Approved (PCA #19036) | USA:TV-PG (tv rating) | West Germany:12 (f) (re-rating) | West Germany:16 (nf) (original rating)

Did You Know?

Trivia:
James Clavell's first script was faithful to George Langelaan's original story, but Fox executives demanded a happier ending.See more »
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): For Andre to type so fluently, and without any errors, with both a dark cloth often over his head and with his newly-acquired insect-vision is highly unbelievable.See more »
Quotes:
François Delambre:You've commited murder just as much as Helene did. You killed a fly with a human head. She killed a human with a fly head.See more »
Movie Connections:
Referenced in A Wedding (1978)See more »

FAQ

Is it possible to read Langelaan's short story online?
What is 'The Fly' about?
Is "The Fly" based on a book?
See more »
14 out of 15 people found the following review useful.
Ah, I don't think a fly swatter is going to work!, 23 February 2006
Author: lost-in-limbo from the Mad Hatter's tea party.

After killing her husband Helene Delambre recounts the story of why she done it. Her husband was a scientist who was deeply into his work and through those long days and weeks he makes a big breakthrough in science by inventing a teleportation machine that can transmit matter from one spot to another. After some glitches he fine tunes the device and decides to test it by using himself as a guinea pig. While, in the process of this test, a housefly gets caught inside with him and when he emerges from the other capsule he shares its genetic structure and physical attributes.

"The Fly" is classic Sci-Fi / horror from the 50s and what a nice surprise this was! Unlike many of its kind in the 50s, this one didn't have a childish feel. The context may seem silly here, but its executed with enough skill and handled in a relax manner by director Kurt Neumann to set above the rest. Just don't be expecting a monster on the rampage tale. This one veers more towards a much more broaden and imaginative story with a certain eeriness contained in its psychological material rather than visuals. Even though it doesn't scare you witless, it still does provide a couple of memorable and ingenious shocks that are hard to put out of your mind. The film opens with the horrific outcome of Helene's husband Andre and then it goes into flashback mode where we learn the fate of Dr. Andre Delambre. What does make it surprisingly good is that we're treated with such passionately vivid characters and a interesting set-up that pulls you in by taking a more serious approach with a dabble of irony along the way. The talkative first hour slowly builds up to its taut last half-an-hour, where we get a smart and venomously bleak climax. Although, it could have done without that preachy conclusion. The rational script by James Clavell works by being incredibly dense with it thriving on some quick wit and sincerity. The story is more about a woman trying to save the man she loves as he slowly fights the genetic effects of the fly's DNA. He may seem hideous on the outside, but inside he is still more so human and he's trying his best to keep control of his dieing humanity. This is proved by how much he cares for his family's safety when he's willingly to take his own life for the best of everyone. It's practical story telling at its best.

The look of the film is top shape with it being shot in vibrant Technicolor and the key is that the deformity is kept hidden, but when it's revealed it actually stands up rather well. It's ugly, that's for sure, but still it looks rather competent. They're also an inventive touch when we see the creature for the first time with multiple frames being used to represent the reflection from human fly's eyes. In Cronenberg's version we see the grotesque transformation, but because of the times and effects we don't see it here, but more so the aftermath of the mishap. All of the devices and gadgets in Andre's lab are well presented and the mounted score adds in a forceful touch with nice crisp sound effects. The performances are more than great by the likes of Al Edison, Patricia Owens, and Herbert Marshall and even though Vincent Price had a supporting role, you'll be in awe of his effortlessly suave performance.

An excellent classic of its field that's more concern about telling a moving and fascinating story than just giving us pointless action and cheap thrills to spice up proceedings. The more you stick it out, the more compelling it does become.

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So when the police and coroner examined the body... FilmKoala
Flat screen? objviewer
better then 1986? Cheetos
So, is anyone else madly in love with Franois? leigh_not_lee
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