| Photos (See all 22 | slideshow) | Videos (see all 5) |
| David Hedison | ... | Andre Delambre (as Al Hedison) | |
| Patricia Owens | ... | Helene Delambre | |
| Vincent Price | ... | François Delambre | |
| Herbert Marshall | ... | Insp. Charas | |
| Kathleen Freeman | ... | Emma | |
| Betty Lou Gerson | ... | Nurse Andersone | |
| Charles Herbert | ... | Philippe Delambre | |
| rest of cast listed alphabetically: | |||
| Eugene Borden | ... | Dr. Ejoute (uncredited) | |
| Harry Carter | ... | Orderly (uncredited) | |
| Arthur Dulac | ... | French Waiter (uncredited) | |
| Bess Flowers | ... | Lady at the Ballet (uncredited) | |
| Torben Meyer | ... | Gaston (uncredited) | |
| Franz Roehn | ... | Police Doctor (uncredited) | |
| Charles Tannen | ... | Doctor (uncredited) | |
Directed by | |||
| Kurt Neumann | |||
Writing credits | ||
| George Langelaan | (story) | |
| James Clavell | (writer) | |
Produced by | |||
| Kurt Neumann | .... | producer | |
| Robert L. Lippert | .... | producer (uncredited) | |
Original Music by | |||
| Paul Sawtell | |||
Cinematography by | |||
| Karl Struss | |||
Film Editing by | |||
| Merrill G. White | |||
Art Direction by | |||
| Theobold Holsopple | |||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Eli Benneche | |||
| Walter M. Scott | |||
Costume Design by | |||
| Adele Balkan | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Jack Gertsman | .... | assistant director | |
Sound Department | |||
| Eugene Grossman | .... | sound | |
| Harry M. Leonard | .... | sound | |
| Don Isaacs | .... | sound editor (uncredited) | |
| Dick Jensen | .... | sound editor (uncredited) | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| James B. Gordon | .... | special effects (uncredited) | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | executive wardrobe designer (as Charles LeMaire) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
| Orven Schanzer | .... | assistant editor (uncredited) | |
Other crew | |||
| Kathleen Fagan | .... | script supervisor (uncredited) | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| Clarence Marks | .... | dialogue coach (uncredited) | |
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| Curse of the Fly | Return of the Fly | The Mist | Psycho | 1408 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
1958 and 'The Fly'. Who could ever forget it. At the age of 9 or so, I was a horror movie veteran, or so I thought. I would attend the Saturday matinees of a local theater, armed with my THIRTY FIVE CENTS, which was good for an admission, a huge coke and a Butterfinger as long as my forearm.
The theater was, as usual, very dark and of the 3,000 seats, 2996 we unoccupied, the norm on a Saturday afternoon. The sunset times had been carefully memorized as to not be foolishly caught in the dark walking home from a horror flick.
In spite of the subtle warnings from a couple of neighborhood kids who had already seen 'The Fly', I remained confident, having survived several movies, including 'Them' and 'The Invisible Man'. The movie was terrifying enough, but nothing in my 9-year old brain prepared me for the absolutely numbing terror that assaulted my senses at the end of the movie. My 16 oz. cup, containing now only ice left my grasp and clattered noisily on the cold floor and the last vestige of the sticky Butterfinger froze in my open mouth as I was transfixed on the terrifying ending. I knew that I was in trouble.
I walked the 3/4 mile home, BACKWARDS and in the middle of the street as to not encounter any bush or shrub, ALL of which I was sure contained the nightmarish image that was forever burned into my brain. Now I understood why none of the kids who had seen the movie boasted or talked about it, they were still too terrified.
10/10 for terror.