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Alberto de Mendoza
After her husband Andre Delambre is crushed to death in a mechanical press, his wife recounts to his brother Francois Delambre and police Inspector Charas the events of the previous few months. They were very much in love and with their little boy, a very happy family. Andre was experimenting with teleportation - transporting objects from one point to another by breaking the object down to the atomic level and then reassembling it in a receiver a distance away. The system had some glitches - it seemed to work with inanimate object but his cat disappeared when he tried teleporting it. He thinks he's solved all of the problems with his invention and decides to try and teleport himself. When a fly enters the teleportation device with him, disaster strikes. Written by
Part of the laboratory set was Emerac, the computer from Fox's production Desk Set (1957). See more »
When Helene goes to see Andre as he lays on the chaise longue, they talk about how happy they are that spring has come. The background is full, lush green foliage, which definitely would not happen anywhere near Montreal. See more »
It's been said again and again that this is a good horror film. A Very Good film. But it is more than that.
I can still hear with my mind's ear (is that right?) the sound of the hydraulic press "WHUMP" and the echo. Then again that "WHUMP" ... is there another sound experience that reverberates through a movie like that?
Sure, surround sound, THX, all that tech stuff, but the sound as the manifestation of the crime that encircles this story, the horror as the mind tries to put together the images that (finally) is seen in a flashback as this scene bookends the start and "finish" of the plot.
The inner struggle of the scientist as he fights with his human hand to control the spasms of his "fly" arm is both horrible and heart-wrenching.
The shock as the cloth is torn away from the scientist's head... the fly's POV shot with facets and mirrors of the the screaming face of the scientist's poor wife! The scene at the spider's web as the shrill voice begs "help me... help me"
The horror of murder of a man/thing and a thing/man being shown and even compared in sharp (but obvious) dialogue.
You MUST see this and experience the earlier days of horror -when classics like this, like "The Thing From Another World," like "It, the Terror From Beyond Space" (the original model of Alien) exhibit a freshness and a palpable terror that remakes cannot capture, whatever wonderful special effects are thrown in to add to the creepiness. Sure these later gorefest horror films are good. I buy them all the time. But they are a different genre. The Fly with Vincent Price is NOT the same story as The Fly with Jeff Goldblum. It's not really a remake as a retelling.
See the original. It is rich with emotion and intelligence, not to mention some pretty fine acting for what was really a "B" movie.
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