A three-year-old orphan is adopted by a German couple shortly after World War II. On his tenth birthday, he is told that his mother, a Yugoslav refugee, is alive and wants him back. The ... See full summary »
In present-day U.S., Dr. Michael Parker, a prominent surgeon, unexpectedly runs into his German-born wife whom he thought was dead. Victor, an artist and his "dead" wife's now boyfriend, ... See full summary »
A burglar is surprised by David and Lisa Collins in their son's room. In the struggle, Lisa's eyes are hurt and David throws an ornament, unintentionally killing the young thief. It's not ... See full summary »
Hughie Mack, a not so nice western singer, is discovered by Clover Doyle as the next movie cowboy hero. His name is changed to Slim Carter and a promotional buildup begins. Leo Gallaher, an... See full summary »
The finding of a body on the beach leads to the conviction for murder of Bill Holleran (who claims innocence), thanks to the testimony of a 10-year-old boy, David Gordon. In flashback, Holleran's landlord Steve Martin recalls his prior involvement with David's widowed mother Anne, broken off because of the disabled boy's vindictive jealousy. Now that a man's life is at stake, Steve reluctantly re-enters the lives of the Gordons to find the truth. Is David a monster or just misunderstood? Written by
Rod Crawford <firstname.lastname@example.org>
This is an engrossing drama, well-shot in Cinemascope black and white, and never got the recognition it deserved. It was never on VHS or DVD, perhaps because of the basically unknown stars and unusual subject matter. A 10-year-old disabled boy (Michel Ray) blames an innocent man for the death of another on the beach. Soon the boy's widowed mother (Cornell Borchers) falls for a neighbor (George Nader), who is a friend of the accused. Ray, of mixed parentage, is striking as the embittered kid, Nader is a bit wooden as ususal, but like another reviewer noted, Borchers is outstanding as a character with no love life (her husband had died 5 years before in the car accident that injured the boy). A key scene is when she breaks down completely after Ray spurns her attention for Nader's, a heartbreaking, true-to-life portrayal. She more than faintly resembles Ingrid Bergman in appearance and voice, a German actress who made a handful of 1950s films; this was her last American picture just before retiring.
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