In this western remake of Kiss of Death (1947), a convicted bank robber serving his sentence, and wishing nothing more than to finish his time and get back to his family, gets involved with... See full summary »
Loose biography of actor Lon Chaney. Growing up with deaf parents, he learns what it is like to be different. As an actor, he puts that knowledge (together with lots of make-up and talent) ... See full summary »
Shalee Jethro (Dorothy Malone) helps her father run a desert stagecoach station. Five desperate outlaws arrive at the station to await a gold shipment they plan to rob, and Shalee becomes ... See full summary »
Set in the Argentina of about 1875 in which a customary punishment for killing was a sentence to army service. A young gaucho deserts his army sentence and becomes a bandit leader and also ... See full summary »
When his life is saved in a shootout by a fellow gunman whose life he in turn had saved, Alex Longmire promises to give up his way of life. Riding into town he finds the only job available ... See full summary »
In this western remake of Kiss of Death (1947), a convicted bank robber serving his sentence, and wishing nothing more than to finish his time and get back to his family, gets involved with a psychotic, homicidal inmate who turns on him and winds up terrorizing his wife and murdering his friends. Written by
In his autobiography, "The Kid Stays in the Picture," Robert Evans says that this movie had the following working titles: "The Hell-Bent Kid", "Rope Law", "Enough Rope", "Quick Draw", "Quick Draw at Red Rock", and "The Hell-Bent Kid II". This mistakenly created the impression that Evans was appearing in more films than he actually was. The final title came from a marketing exec trying to cater to both western and horror film audiences. See more »
I can never forget this film. Unlike some critics, me and my mates found Robert Evans' performance mesmerising. In '58, it was our first experience of a horror-western and for us it worked very well. I'm not saying it's a truly great film, just that it was so radically different at the time that it remains one of my most memorable films of the 50s.
In the East-End of London, in the mid to late 50s, we teens were hooked on Americana. We knew and liked Hugh O'Brian as Wyatt Earp in the TV series. Robert Evans was new to us and a revelation. We liked his look and his style; his performance fitted well with Rock 'n Roll, James Dean and the whole 'cool' American thing.
Fortunately, although in the UK, I have a recorder which plays NTSC tapes. I will be buying this film soon.
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