This French disc release of the Jacques Tourneur classic gets everything right — including both versions in picture perfect transfers. Devil debunker Dana Andrews locks horns with Niall MacGinnis, a necromancer “who has decoded the Old Book” and can summon a fire & brimstone monster from Hell, no election fraud necessary. Even fans that hate ghost stories love this one — it’s a truly creepy, intelligent highlight of the horror genre.
Night of the Demon
Region A + B Blu-ray + Pal DVD
Wild Side (Fr)
1957 / B&W / 1:66 widescreen / 95 & 82 min. / Street Date November 27, 2013 / Curse of the Demon, Rendez-vous avec la peur / Available from Amazon UK or Foreign Exchange Blu-ray
Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis, Maurice Denham,
Athene Seyler
Cinematography: Ted Scaife
Production Designer: Ken Adam
Special Effects: George Blackwell, S.D. Onions, Wally Veevers
Film Editor Michael Gordon
Original Music: Clifton Parker
Written by Charles Bennett and Hal E. Chester
from the...
Night of the Demon
Region A + B Blu-ray + Pal DVD
Wild Side (Fr)
1957 / B&W / 1:66 widescreen / 95 & 82 min. / Street Date November 27, 2013 / Curse of the Demon, Rendez-vous avec la peur / Available from Amazon UK or Foreign Exchange Blu-ray
Starring: Dana Andrews, Peggy Cummins, Niall MacGinnis, Maurice Denham,
Athene Seyler
Cinematography: Ted Scaife
Production Designer: Ken Adam
Special Effects: George Blackwell, S.D. Onions, Wally Veevers
Film Editor Michael Gordon
Original Music: Clifton Parker
Written by Charles Bennett and Hal E. Chester
from the...
- 5/20/2017
- by Glenn Erickson
- Trailers from Hell
Even when based on actual events, classical Hollywood movies never strive for painstaking factual accuracy. This is best exemplified by the ever-present legal disclaimer “The characters and incidents portrayed and the names used in this work are fictitious, and any resemblance to the name, character and history of any real persons, living or dead, is purely coincidental,” which appears not only in horror, sci-fi or musical extravaganzas, but also in biopics and historical reconstructions. In the latter two cases, the contradiction is only apparent. While using the above disclaimer (or variations thereof) to protect themselves from defamation lawsuits, the studios openly acknowledge what any person of common sense knows already: in the filmmaking business, dramatization and other poetic licenses are essential to tell and sell exciting stories to an audience, since reality is too boring and complex for an evening's entertainment. In other words, a commercial film is not a...
- 7/9/2015
- by Michael Guarneri
- MUBI
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