6.1/10
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24 user 6 critic

The Fearmakers (1958)

A Korean War veteran co-operating with a Senate committee uncovers subversives.

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(screenplay), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
Alan Eaton
...
Jim McGinnis
...
Lorraine Dennis
...
Vivian Loder
...
Harold 'Hal' Loder
Roy Gordon ...
Sen. Walder
Joel Marston ...
Rodney Hillyer
...
Army Doctor
...
Dr. Gregory Jessup
Janet Brandt ...
Walder's Secretary
Fran Andrade ...
TWA Stewardess
...
Barney Bond
Rest of cast listed alphabetically:
Robert Fortier ...
Col. Buchane (scenes deleted)
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Storyline

A Korean War veteran co-operating with a Senate committee uncovers subversives.

Plot Summary | Add Synopsis

Taglines:

Masters of FEAR! Masters of INTRIGUE! Merchants of MURDER!

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Thriller

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Release Date:

October 1958 (USA)  »

Also Known As:

Die Angstmacher  »

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Did You Know?

Goofs

Shadow of boom mic visible when Alan Eaton (Dana Andrews) falls back against the window blinds in his office. See more »

Quotes

Alan Eaton: You know, Lorraine, you're not only very kind... you're very lovely.
Lorraine Dennis: [Breaking into a big smile] I thought you'd *never* notice!
See more »

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User Reviews

 
Attempts to turn its jingoistic scenario into a suspense drama...and nearly succeeds!
8 August 2007 | by (las vegas, nv) – See all my reviews

Dana Andrews is quite congenial playing a former Army Captain, returning to Washington, D.C. after being held two years in a Chinese prison camp, discovering that the public relations firm he and his business partner founded has been sold to a reprehensible lout who peddles in prejudice and poison. Plainly-drawn, low-budget melodrama with then-topical undercurrents of Communism and anti-semitism does have an interesting group of characters, but it could stand a bit of levity to lighten its load. There's an early scene in a plane with Andrews and a talkative scientist that is never fully explained, and the one main female character (a secretary played by the curious Marilee Earle) is disheartening--she's there to lend a hand and feign a romance, yet the role itself is an unsurprising cliché. Director Jacques Tourneur is crafty at times, but mostly heavy-handed; he sets up a heated finale, but then muffs it with square-jawed heroics and patriotic gestures. More mystery and gloss was required. **1/2 from ****


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