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The Fearmakers (1958)
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Overview
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Release Date:
October 1958 (USA)
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We're through the looking glass here, people
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Cast
(Complete credited cast)| Dana Andrews | ... | Alan Eaton | |
| Dick Foran | ... | Jim McGinnis | |
| Marilee Earle | ... | Lorraine Dennis | |
| Veda Ann Borg | ... | Vivian Loder | |
| Kelly Thordsen | ... | Harold 'Hal' Loder | |
| Roy Gordon | ... | Sen. Walder | |
| Joel Marston | ... | Rodney Hillyer | |
| Dennis Moore | ... | Army Doctor | |
| Oliver Blake | ... | Dr. Gregory Jessup | |
| Janet Brandt | ... | Walder's Secretary | |
| Fran Andrade | ... | TWA Stewardess | |
| Mel Tormé | ... | Barney Bond | |
| rest of cast listed alphabetically: | |||
| Robert Fortier | ... | Col. Buchane (scenes deleted) | |
Additional Details
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85 min
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Boom mic visible: Shadow of boom mic visible when Alan Eaton (Dana Andrews) falls back against the window blinds in his office.
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This FAQ is empty. Add the first question.more (14 total)
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Discuss this movie with other users on IMDb message board for The Fearmakers (1958)| Recent Posts (updated daily) | User |
|---|---|
| Look for an unrecognizable Mel Torme | Hilldoc |
| widescreen? | max von meyerling |
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| Full cast and crew | Company credits | IMDb Thriller section |
| IMDb USA section | Add this title to MyMovies |


In the late 1950s, The Fearmakers was a late entry in the Red Scare cycle. By the late 1960s it would have looked like a bizarre and ancient relic. Now in the 21st century, the film looks almost prophetic--if you can overlook the fact that it's basically a pro-nuclear war film. What gives the film resonance for a contemporary audience is its accurate portrayal of 'public relations', polling and advertising, and their ability to sway public opinion. In the 1950s this thesis no doubt took a back seat to the usual Commie-bashing, but now--in the era of push polls, straw polls, and exit polls-- it looks frighteningly accurate. Dana Andrews is excellent as usual. Sadly he is paired up with Marilee Earle as his love interest, and Ms. Earle gives a wooden performance of truly Redwoodian proportions. This was the last film of her brief career.